Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
The grand march and chorus in the closing scene were easily
accomplished; for, as Lucy bade her, Christie “sung with all her
might,” and kept step as she led her band with the dignity of a
Boadicea. No one spoke to her; few observed her; all were intent on
their own affairs; and when the final shriek and bang died away without
lifting the roof by its din, she could hardly believe that the dreaded
first rehearsal was safely over.
A visit to the wardrobe-room to see her dress came next; and here
Christie had a slight skirmish with the mistress of that department
relative to the length of her classical garments. As studies from the
nude had not yet become one of the amusements of the elite of Little
Babel, Christie was not required to appear in the severe simplicity of
a costume consisting of a necklace, sandals, and a bit of gold fringe
about the waist, but was allowed an extra inch or two on her tunic, and
departed, much comforted by the assurance that her dress would not be
“a shock to modesty,” as Lucy expressed it.
“Now, look at yourself, and, for my sake, prove an honor to your
country and a terror to the foe,” said Lucy, as she led her _protégée_
before the green-room mirror on the first night of “The Demon’s
Daughter, or The Castle of the Sun!! The most Magnificent Spectacle
ever produced upon the American Stage!!!”
Christie looked, and saw a warlike figure with glittering helmet,
shield and lance, streaming hair and savage cloak. She liked the
picture, for there was much of the heroic spirit in the girl, and even
this poor counterfeit pleased her eye and filled her fancy with martial
memories of Joan of Arc, Zenobia, and Britomarte.
“Go to!” cried Lucy, who affected theatrical modes of speech. “Don’t
admire yourself any longer, but tie up your sandals and come on. Be
sure you rush down the instant I cry, ‘Demon, I defy thee!’ Don’t break
your neck, or pick your way like a cat in wet weather, but come with
effect, for I want that scene to make a hit.”
[Illustration: CHRISTIE AS QUEEN OF THE AMAZONS.]
Princess Caremfil swept away, and the Amazonian queen climbed to her
perch among the painted mountains, where her troop already sat like a
flock of pigeons shining in the sun. The gilded breast-plate rose and
fell with the quick beating of her heart, the spear shook with the
trembling of her hand, her lips were dry, her head dizzy, and more than
once, as she waited for her cue, she was sorely tempted to run away and
take the consequences.
But the thought of Lucy’s good-will and confidence kept her, and when
the cry came she answered with a ringing shout, rushed down the
ten-foot precipice, and charged upon the foe with an energy that
inspired her followers, and quite satisfied the princess struggling in
the demon’s grasp.
Public-domain text, read in full here on John Shaqi.
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