Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
With clashing of arms and shrill war-cries the rescuers of innocence
assailed the sooty fiends who fell before their unscientific blows with
a rapidity which inspired in the minds of beholders a suspicion that
the goblins’ own voluminous tails tripped them up and gallantry kept
them prostrate. As the last groan expired, the last agonized squirm
subsided, the conquerors performed the intricate dance with which it
appears the Amazons were wont to celebrate their victories. Then the
scene closed with a glare of red light and a “grand tableau” of the
martial queen standing in a bower of lances, the rescued princess
gracefully fainting in her arms, and the vanquished demon scowling
fiercely under her foot, while four-and-twenty dishevelled damsels sang
a song of exultation, to the barbaric music of a tattoo on their
shields.
All went well that night, and when at last the girls doffed crown and
helmet, they confided to one another the firm opinion that the success
of the piece was in a great measure owing to their talent, their
exertions, and went gaily home predicting for themselves careers as
brilliant as those of Siddons and Rachel.
It would be a pleasant task to paint the vicissitudes and victories of
a successful actress; but Christie was no dramatic genius born to shine
before the world and leave a name behind her. She had no talent except
that which may be developed in any girl possessing the lively fancy,
sympathetic nature, and ambitious spirit which make such girls
naturally dramatic. This was to be only one of many experiences which
were to show her her own weakness and strength, and through effort,
pain, and disappointment fit her to play a nobler part on a wider
stage.
For a few weeks Christie’s illusions lasted; then she discovered that
the new life was nearly as humdrum as the old, that her companions were
ordinary men and women, and her bright hopes were growing as dim as her
tarnished shield. She grew unutterably weary of “The Castle of the
Sun,” and found the “Demon’s Daughter” an unmitigated bore. She was not
tired of the profession, only dissatisfied with the place she held in
it, and eager to attempt a part that gave some scope for power and
passion.
Mrs. Black wisely reminded her that she must learn to use her wings
before she tried to fly, and comforted her with stories of celebrities
who had begun as she was beginning, yet who had suddenly burst from
their grub-like obscurity to adorn the world as splendid butterflies.
“We’ll stand by you, Kit; so keep up your courage, and do your best. Be
clever to every one in general, old Sharp in particular, and when a
chance comes, have your wits about you and grab it. That’s the way to
get on,” said Lucy, as sagely as if she had been a star for years.
Public-domain text, read in full here on John Shaqi.
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