Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
He had observed Christie, attracted by her intelligent face and modest
manners, for in spite of her youth there was a native refinement about
her that made it impossible for her to romp and flirt as some of her
mates did. But till she played Tilly he had not thought she possessed
any talent. That pleased him, and seeing how much she valued his
praise, and was flattered by his notice, he gave her the wise but
unpalatable advice always offered young actors. Finding that she
accepted it, was willing to study hard, work faithfully, and wait
patiently, he predicted that in time she would make a clever actress,
never a great one.
Of course Christie thought he was mistaken, and secretly resolved to
prove him a false prophet by the triumphs of her career. But she meekly
bowed to his opinion; this docility pleased him, and he took a paternal
sort of interest in her, which, coming from the powerful favorite, did
her good service with the higher powers, and helped her on more rapidly
than years of meritorious effort.
Toward the end of that second season several of Dickens’s dramatized
novels were played, and Christie earned fresh laurels. She loved those
books, and seemed by instinct to understand and personate the humor and
pathos of many of those grotesque creations. Believing she had little
beauty to sacrifice, she dressed such parts to the life, and played
them with a spirit and ease that surprised those who had considered her
a dignified and rather dull young person.
“I’ll tell you what it is, Sharp, that girl is going to make a capital
character actress. When her parts suit, she forgets herself entirely
and does admirably well. Her Miggs was nearly the death of me to-night.
She’s got that one gift, and it’s a good one. You’d better give her a
chance, for I think she’ll be a credit to the old concern.”
Kent said that,—Christie heard it, and flew to Lucy, waving Miggs’s cap
for joy as she told the news.
“What did Mr. Sharp say?” asked Lucy, turning round with her face half
“made up.”
“He merely said ‘Hum,’ and smiled. Wasn’t that a good sign?” said
Christie, anxiously.
“Can’t say,” and Lucy touched up her eyebrows as if she took no
interest in the affair.
Christie’s face fell, and her heart sunk at the thought of failure; but
she kept up her spirits by working harder than ever, and soon had her
reward. Mr. Sharp’s “Hum” did mean yes, and the next season she was
regularly engaged, with a salary of thirty dollars a week.
Public-domain text, read in full here on John Shaqi.
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