Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
Then a brilliant view of Mount Parnassus, with Apollo and the Nine
Muses in full blast, shut the scene from sight, and soon Mr. Sharp
appeared to ask their patience till the after-piece was ready, for Miss
Douglas was too much injured to appear again. And with an unwonted
expression of feeling, the little man alluded to “the generous act
which perhaps had changed the comedy to a tragedy and robbed the
beneficiary of her well-earned reward at their hands.”
All had seen the impulsive spring toward, not from, the danger, and
this unpremeditated action won heartier applause than Christie ever had
received for her best rendering of more heroic deeds.
But she did not hear the cordial round they gave her. She had said she
would “make a hit or die;” and just then it seemed as if she had done
both, for she was deaf and blind to the admiration and the sympathy
bestowed upon her as the curtain fell on the first, last benefit she
ever was to have.
CHAPTER IV.
GOVERNESS.
[Illustration: MR. PHILIP FLETCHER.]
During the next few weeks Christie learned the worth of many things
which she had valued very lightly until then. Health became a boon too
precious to be trifled with; life assumed a deeper significance when
death’s shadow fell upon its light, and she discovered that dependence
might be made endurable by the sympathy of unsuspected friends.
Lucy waited upon her with a remorseful devotion which touched her very
much and won entire forgiveness for the past, long before it was
repentantly implored. All her comrades came with offers of help and
affectionate regrets. Several whom she had most disliked now earned her
gratitude by the kindly thoughtfulness which filled her sick-room with
fruit and flowers, supplied carriages for the convalescent, and paid
her doctor’s bill without her knowledge.
Thus Christie learned, like many another needy member of the gay
profession, that though often extravagant and jovial in their way of
life, these men and women give as freely as they spend, wear warm, true
hearts under their motley, and make misfortune only another link in the
bond of good-fellowship which binds them loyally together.
Slowly Christie gathered her energies after weeks of suffering, and
took up her life again, grateful for the gift, and anxious to be more
worthy of it. Looking back upon the past she felt that she had made a
mistake and lost more than she had gained in those three years. Others
might lead that life of alternate excitement and hard work unharmed,
but she could not. The very ardor and insight which gave power to the
actress made that mimic life unsatisfactory to the woman, for hers was
an earnest nature that took fast hold of whatever task she gave herself
to do, and lived in it heartily while duty made it right, or novelty
lent it charms. But when she saw the error of a step, the emptiness of
a belief, with a like earnestness she tried to retrieve the one and to
replace the other with a better substitute.
Public-domain text, read in full here on John Shaqi.
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