Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
In the silence of wakeful nights and the solitude of quiet days, she
took counsel with her better self, condemned the reckless spirit which
had possessed her, and came at last to the decision which conscience
prompted and much thought confirmed.
“The stage is not the place for me,” she said. “I have no genius to
glorify the drudgery, keep me from temptation, and repay me for any
sacrifice I make. Other women can lead this life safely and happily: I
cannot, and I must not go back to it, because, with all my past
experience, and in spite of all my present good resolutions, I should
do no better, and I might do worse. I’m not wise enough to keep steady
there; I must return to the old ways, dull but safe, and plod along
till I find my real place and work.”
Great was the surprise of Lucy and her mother when Christie told her
resolution, adding, in a whisper, to the girl, “I leave the field clear
for you, dear, and will dance at your wedding with all my heart when
St. George asks you to play the ‘Honeymoon’ with him, as I’m sure he
will before long.”
Many entreaties from friends, as well as secret longings, tried and
tempted Christie sorely, but she withstood them all, carried her point,
and renounced the profession she could not follow without self-injury
and self-reproach. The season was nearly over when she was well enough
to take her place again, but she refused to return, relinquished her
salary, sold her wardrobe, and never crossed the threshold of the
theatre after she had said good-bye.
Then she asked, “What next?” and was speedily answered. An
advertisement for a governess met her eye, which seemed to combine the
two things she most needed just then,—employment and change of air.
“Mind you don’t mention that you’ve been an actress or it will be all
up with you, me dear,” said Mrs. Black, as Christie prepared to
investigate the matter, for since her last effort in that line she had
increased her knowledge of music, and learned French enough to venture
teaching it to very young pupils.
“I’d rather tell in the beginning, for if you keep any thing back it’s
sure to pop out when you least expect or want it. I don’t believe these
people will care as long as I’m respectable and teach well,” returned
Christie, wishing she looked stronger and rosier.
“You’ll be sorry if you do tell,” warned Mrs. Black, who knew the ways
of the world.
“I shall be sorry if I don’t,” laughed Christie, and so she was, in the
end.
“L. N. Saltonstall” was the name on the door, and L. N. Saltonstall’s
servant was so leisurely about answering Christie’s meek solo on the
bell, that she had time to pull out her bonnet-strings half-a-dozen
times before a very black man in a very white jacket condescended to
conduct her to his mistress.
A frail, tea-colored lady appeared, displaying such a small proportion
of woman to such a large proportion of purple and fine linen, that she
looked as if she was literally as well as figuratively “dressed to
death.”
Public-domain text, read in full here on John Shaqi.
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