Workhouse Characters, and other sketches of the life of the poor.Nevinson, Margaret Wynne
General
Workhouse Characters, and other sketches of the life of the poor.
Nevinson, Margaret Wynne
London (England) -- Social conditions; Poor -- England -- London; Workhouses -- England -- London
"Lily Weston!" cried a stentorian voice, and our "case" was bundled into
the inner court, mother and daughter walking next to each other in
silent hostility. The poor girl was placed in the prisoner's dock
between iron bars as if she were some dangerous wild beast, whilst "the
gentleman" who was the real offender ranged free and unmolested.
Constable X 172 told the story of attempted suicide, and then the boy
followed. Then the mother spoke shortly and bitterly as to the girl's
troubles being of her own making.
"Anything to say?" asked the magistrate; but the girl hung her head low
in shame and confusion, whilst the magistrate congratulated the boy on
his pluck and presence of mind.
The clerk came round and whispered in the ear of his chief, who looked
at the prisoner with grave kindliness under his bushy white eyebrows; he
had more sympathy than the laws he administered.
"Call Miss Sperling," he said to the policeman, and then to the
prisoner: "If I discharge you now, will you go away with this lady, who
will find a home for you?"
"Oh, yes, sir," cried the prisoner with a burst of hysterical weeping
as the bolts rattled from the dock and the kindly hand of the lady
missionary clasped hers.
A distinguished Nonconformist once told me that our Anglican Prayer Book
was a mass of ungranted petitions, which, after careful thought, I had
to admit was true; but at least on the whole I think our prayers for
this particular magistrate have been answered.
PUBLICANS AND HARLOTS
Verily I say unto you, that the publicans and harlots go into the
kingdom of God before you.
It was 7.30 p.m., and in the Young Women's Ward of the workhouse the
inmates were going to bed by the crimson light of the July sunset. Most
of the women had babies, and now and then a fretful cry would interrupt
a story that was being listened to with much interest and laughter and
loud exclamations: "Oh, Daisy, you are a caution!"
Public-domain text, read in full here on John Shaqi.
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