Had a literary critic been present, he would have classed the tale as belonging to the French realistic school of Zola and Maupassant. The _raconteuse_, Daisy Crabtree, who might have sat as a model for Rossetti's Madonna of the Annunciation, was a slight, golden-haired girl, known to philanthropists as a "daughter of the State," and an object-lesson against such stepmothering. Picked up as an infant under a crab-tree by the police, and christened later in commemoration of the discovery, she had been brought up in a "barrack-school," and a "place" found for her at fifteen, from which she had "run" the following day; the streets had called to their daughter, and she had obeyed. Since then she had been "rescued" twenty-seven times--by Catholics, Anglicans, Wesleyans, Methodists, Baptists, and Salvationists--but not even the great influence of "Our Lady of the Snows" or "The Home of the Guardian Angels" could save this child of vice, and most Homes in London being closed against her, she perpetually sought shelter in the various workhouses of the Metropolis, always being "passed" back to the parish of the patronymic crab-tree where she was "chargeable." Here she resided at the expense of the rates, till some lady visitor, struck by her beauty and seeming innocence, provided her with an outfit and a situation. "Shut up, Daisy!" said one girl, quiet and demure as her namesake Priscilla. "You're only fit for a pigsty." "'The heavens declare the glory of God and the firmament showeth His handiwork,'" sang Musical Meg, a half-witted girl, who had given two idiots to the guardianship of the ratepayers. She was possessed of a soprano voice, very clear and true, and, having been brought up in a High Church Home, she punctiliously chanted the offices of _Prime_ and _Compline_, slightly muddling them as her memory was bad. "Hold your noise, Meg; we want to hear the tale." "'Brethren, be sober, be vigilant, because your adversary the devil as a roaring lion walketh about, seeking whom he may devour, whom resist, steadfast in the faith,'" chanted Musical Meg again. The door opened and the white-capped attendant entered, leading by the hand two little girls of about twelve and fourteen, who were sobbing pitifully. "Less noise here, if you please. Meg, you know you have been forbidden to sing at bedtime. Now, my dears, don't cry any more; get undressed and into bed at once; you'll see your mother in the morning." "Why are you here, duckies? Father run away and left you all starving?" asked an older woman who had been walking about the room administering medicine, opening windows, and generally doing the work of wardswoman. "Yes," sobbed the children; "they've put mother in another room, and we are so frightened." "There, stop crying, my dears," said Priscilla; "come and look at my baby." "What a lot of babies!" said the elder girl. "Have all your husbands run away and left you?"