The contrast which had arisen between Dutch and English customs in this respect was also noticed by Wycherley, one of whose characters, Monsieur Paris, a Francophile fop, describes his tour in Holland in the following terms: “I did visit, you must know, one of de Principal of de State General ... and did find his Excellence weighing Sope, jarnie ha, ha, ha, weighing sope, ma foy, for he was a wholesale Chandeleer; and his Lady was taking de Tale of Chandels wid her own witer Hands, ma foy; and de young Lady, his Excellence Daughter, stringing Harring, jarnie ... his Son, (for he had but one) was making the Tour of France, etc. in a Coach and six.”[67] Footnote 67: Wycherley, _The Gentleman Dancing Master_, p. 21. The picture is obviously intended to throw ridicule on the neighbouring state, of whose navy and commercial progress England stood at that time in considerable fear. How rapidly the active, hardy life of the Elizabethan gentlewoman was being transformed into the idleness and dependence which has characterised the lady of a later age may be judged by Mary Astell’s comment on “Ladies of Quality.” She says, “They are placed in a condition which makes that which is everyone’s chief business to be their only employ. They have nothing to do but to glorify God and to benefit their neighbours.”[68] After a study of the Restoration Drama it may be doubted whether the ladies of that period wished to employ their leisure over these praiseworthy objects. But had they the will, ignorance of life and inexperience in affairs are qualifications which perhaps would not have increased the effectiveness of their efforts in either direction. Footnote 68: Astell, (Mary), _A Serious Proposal_, p. 145, 1694. The proof of the change which was taking place in the scope of upper-class women’s interests does not rest only upon individual examples such as those which have been quoted, though these instances have been selected for the most part on account of their representative character.