World's End: A Story in Three BooksJefferies, Richard
General
World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
If Sternhold was not mad enough now, why not drive him mad? If he was
driven frantic and shut up in an asylum, Lucia’s son would to a
certainty inherit the property. Possibly he (Aurelian) might be
appointed trustee—he, as uncle, would be a guardian, and probably the
only one. He might also have the pleasure of receiving Sternhold into
his own retreat for lunatics; and so, while furthering the interests of
his sister and nephew, do himself a good turn. The idea enraptured him.
Aurelian possessed the true scientific mind which is incapable of
feeling. Some thinkers believe that the true artistic mind, the highest
artistic mind, is also incapable of feeling. It is so absorbed in its
own realisation of one idea, that it loses all consciousness of
possible suffering in others. He never doubted for an instant that it
was in his power to attain the proposed object—it was only to _let
Lucia loose_. Let her loose—a little way. Let her loose under strict
supervision—under the constant surveillance of himself, his son, a
youth of twenty whom he was training up in the right road, and perhaps
of other witnesses.
There was such a thing as divorce—this might not destroy the child’s
right, but it would place him out of Lucia’s hands. There must be no
handle for Lucia’s enemies to grasp at. She must be manoeuvred so as to
make Sternhold frantic without committing herself.
Lucia was aflame for such a course. She had restrained herself for
years. She was burning to be free, on fire for “life” and excitement;
above all, for admiration, for praise—the intoxicating breath of the
multitude that cheers to the echo! The Stage! the dance—music—the fiery
gaze of a thousand eyes following each motion! There must have been
something of the true artist in her. The grandest position, the most
unlimited wealth, would not have satisfied her without the stage.
She had married Sternhold in the hope of appearing as other women did
in the theatres owned by their lovers. She had tried to broach the
subject to Sternhold; he had held up his hands in horror, and she
constrained herself and bided her time.
Nearly four years now—four years! The coarse jests, the loud laughter,
the shouts and screams and cat-calls of the low threepenny gaff or
music hall from which she had been snatched—even such a life as that
seemed to her far, far superior to this irksome confinement, this
slavery which was not even gilded. Aurelian was right in his conjecture
that she could not be much longer held in—she must burst out.
Half-formed schemes had been working themselves into shape in her mind
for months past. She would leave her boy with Aurelian, take her jewels
and sables, sell them, borrow money upon the estate which Sternhold had
made hers by deed of gift, go to London or Paris, and plunge headlong
into “life,” paying any price for the one grand ambition of her
existence.
Public-domain text, read in full here on John Shaqi.
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