The craving—the _fury_, it might almost be called—the furious desire for admiration from men which seized upon her at times, would certainly, sooner or later, have hurled her on to a desperate step. At this moment Aurelian came with his carefully-considered plan. She met him open-armed. With one blow she could avenge herself upon Sternhold, with one blow gratify herself and destroy him—destroy him body and soul. This moment—this hour! But not so fast. First, Aurelian obtained the money—no small sum. Next, said he, this thing must not be done by halves. It was useless for her to appear on some small stage; she must at one bound become the talk of all the town. This required care, thought, and organisation. Those great successes that seemed so suddenly attained without an effort, as by a wave of the hand, had really been preceded by months and months of preparation, and depended in great part upon the matured judgment and clever advice of men who had watched the public for years. Impatient as she was, Lucia again controlled herself, and did as she was bid. Aurelian made it his business first to discover where she could appear with most effect. He soon selected the place, Paris! he obtained an interview with the proper authorities, and confided to them a part of his secret. They saw their way to profit, and agreed. The next thing was the character she should take, and the second, the season. This last the manager, or rather owner, who was in raptures with the thing, easily decided. It must be at the height of the Paris season. He was a popular man, who could gather together a mighty crowd of his own acquaintances. If poor Sternhold, sitting in his apartment at Dodd’s Hotel, could have heard these “fast” young men discussing the approaching appearance of his wife, Aurelian would have gone no further. The choice of character Aurelian insisted upon deciding, and he chose Lady Godiva. As has been stated, Lucia had extraordinary hair, both for length and abundance, and, unlike long hair generally, it was curly. Had it been fine and delicate hair she could have boasted that few women in Europe could equal her. The coarseness of its texture would not be visible upon the stage. She had really a magnificent figure. The character of Lady Godiva was one exactly fitted for her. It is needless to say that there was little or no acting—no study of parts, no insight into the meaning required, as in the case of Shakespeare’s heroines. The piece was simply a spectacle devised to bring out one central figure into the boldest relief.