In a few years rumors of dissent and trouble float vaguely back to the
girl's family. Finally, either a great scandal occurs, and there is one
dishonored home the more in the world, or an expatriated woman, thousands
of miles from the friends and relatives who might be of some comfort to
her, makes up her mind to accept "anything" for the sake of her children,
and attempts to build up some sort of an existence out of the remains of
her lost illusions, and the father wakes up from his dream to realize
that his wealth has only served to ruin what he loved best in all the
world.
Sometimes the conditions are delightfully comic, as in a well-known case,
where the daughter, who married into an indolent, happy-go-lucky Italian
family, had inherited her father's business push and energy along with
his fortune, and immediately set about "running" her husband's estate as
she had seen her father do his bank. She tried to revive a
half-forgotten industry in the district, scraped and whitewashed their
picturesque old villa, proposed her husband's entering business, and in
short dashed head down against all his inherited traditions and national
prejudices, until her new family loathed the sight of the brisk American
face, and the poor she had tried to help, sulked in their newly drained
houses and refused to be comforted. Her ways were not Italian ways, and
she seemed to the nun-like Italian ladies, almost unsexed, as she tramped
about the fields, talking artificial manure and subsoil drainage with the
men. Yet neither she nor her husband was to blame. The young Italian
had but followed the teachings of his family, which decreed that the only
honorable way for an aristocrat to acquire wealth was to marry it. The
American wife honestly tried to do her duty in this new position, naively
thinking she could engraft transatlantic "go" upon the indolent Italian
character. Her work was in vain; she made herself and her husband so
unpopular that they are now living in this country, regretting too late
the error of their ways.
Another case but little less laughable, is that of a Boston girl with a
neat little fortune of her own, who, when married to the young Viennese
of her choice, found that he expected her to live with his family on the
third floor of their "palace" (the two lower floors being rented to
foreigners), and as there was hardly enough money for a box at the opera,
she was not expected to go, whereas his position made it necessary for
him to have a stall and appear there nightly among the men of his rank,
the astonished and disillusioned Bostonian remaining at home _en tete-a-
tete_ with the women of his family, who seemed to think this the most
natural arrangement in the world.
Public-domain text, read in full here on John Shaqi.
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