Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Johnnie decided that he would go and spy upon the fortifications of
Havana. If any one wished to know of those batteries it was the admiral
of the squadron, but the admiral of the squadron knew much. I feel sure
that he knew the size and position of every gun. To be sure, new guns
might be mounted at any time, but they would not be big guns, and
doubtless he lacked in his cabin less information than would be worth a
man's life. Still, Johnnie decided to be a spy. He would go and look.
We of the newspapers pinned him fast to the tail of our kite and he was
taken to see the admiral. I judge that the admiral did not display much
interest in the plan. But at any rate it seems that he touched Johnnie
smartly enough with a brush to make him, officially, a spy. Then
Johnnie bowed and left the cabin. There was no other machinery. If
Johnnie was to end his life and leave a little book about it, no one
cared--least of all, Johnnie and the admiral. When he came aboard the
tug, he displayed his usual stalwart and rather selfish zest for fried
eggs. It was all some kind of an ordinary matter. It was done every
day. It was the business of packing pork, sewing shoes, binding hay. It
was commonplace. No one could adjust it, get it in proportion,
until--afterwards. On a dark night, they heaved him into a small boat
and rowed him to the beach.
And one day he appeared at the door of a little lodging-house in Havana
kept by Martha Clancy, born in Ireland, bred in New York, fifteen years
married to a Spanish captain, and now a widow, keeping Cuban lodgers
who had no money with which to pay her. She opened the door only a
little way and looked down over her spectacles at him.
"Good-mornin' Martha," he said.
She looked a moment in silence. Then she made an indescribable gesture
of weariness. "Come in," she said. He stepped inside. "And in God's
name couldn't you keep your neck out of this rope? And so you had to
come here, did you--to Havana? Upon my soul, Johnnie, my son, you are
the biggest fool on two legs."
He moved past her into the court-yard and took his old chair at the
table--between the winding stairway and the door--near the orange tree.
"Why am I?" he demanded stoutly. She made no reply until she had taken
seat in her rocking-chair and puffed several times upon a cigarette.
Then through the smoke she said meditatively: "Everybody knows ye are a
damned little mambi." Sometimes she spoke with an Irish accent.
He laughed. "I'm no more of a mambi than _you_ are, anyhow."
"I'm no mambi. But your name is poison to half the Spaniards in Havana.
That you know. And if you were once safe in Cayo Hueso, 'tis nobody but
a born fool who would come blunderin' into Havana again. Have ye had
your dinner?"
"What have you got?" he asked before committing himself.
She arose and spoke without confidence as she moved toward the
cupboard. "There's some codfish salad."
"_What?_" said he.
"Codfish salad."
"_Codfish what?_"
Public-domain text, read in full here on John Shaqi.
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