Business, and nothing but business, in that drab-coloured house with
the high wire-blinds in the window, over which you can just catch a
glimpse of the top of a hanging white robe. Cope and Son are the
owners of the drab-coloured house, and Cope and Son are the largest
retailers of clerical millinery in London. All day long members of
"the cloth," sleek, pale, emaciated, high-church curates, stout,
fresh-coloured, huge-whiskered, broad-church rectors, fat,
pasty-faced, straight-haired evangelical ministers, are pouring into
Cope and Son's for clothes, for hoods, for surplices, for stoles, for
every variety of ecclesiastical garment. Cope and Son supply all, in
every variety, for every sect; the M.B. waistcoat and stiff-collared
coat reaching to his heels in which the Honourable and Reverend Cyril
Genuflex looks so imposing, as he, before the assembled vestry, defies
the scrutiny of his evangelical churchwarden; the pepper-and-salt
cutaway in which the Reverend Pytchley Quorn follows the hounds; the
black-stuff gown in which the Reverend Locock Congreve perspires and
groans as he deals out denunciations of those sitting under him; and
the purple bed gown, turned up with yellow satin, and worked all
over with crosses and vagaries, in which poor Tom Phoole, such a
kind-hearted and such a soft-headed vessel, goes through his
ritualistic tricks,--all these come from the establishment of Cope and
Son's, in Rutland Street, Strand.
The next house on the right is handy for the high-church clergymen,
though the evangelicals shut their eyes and turn away their heads as
they pass by it. Here Herr Tubelkahn, from Elberfeld, the cunning
worker in metals, the artificer of brass and steel and iron, and
sometimes of gold and silver, the great ecclesiastical upholsterer,
has set up his Lares and Penates, and here he deals in the loveliest
of mediaevalisms and the choicest of renaissance wares. The sleek
long-coated gentry who come to make purchases can scarcely thread
their way through the heterogeneous contents of Herr Tubelkahn's shop.
All massed together without order; black oaken chairs, bought up by
Tubelkahn's agents from occupants of tumbledown old cottages in
midland districts, crosiers and crucifixes, ornate and plain, from
Elberfeld, sceptres and wands from Solingen, lecterns in the shape of
enormous brazen eagles with outstretched wings from Birmingham,
enormous candelabra and gaseliers of Gothic pattern from Liège, and
sculptured pulpits and carved altar-rails from the Curtain Road,
Shoreditch. Altar-cloths hang from the tables, and altar-carpets, none
of your common loom-woven stuff, but hand-worked and--as Herr
Tubelkahn gives you to understand--by the fairest fingers, are spread
about to show their patterns to the best advantage, while there is so
much stained glass about ready for immediate transfer to the oriel
windows of country churches, that when the sun shines, Herr
Tubelkahn's customers seem to be suddenly invested with Joseph's
Public-domain text, read in full here on John Shaqi.
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