garment of many colours, and the whole shop lights up like a kaleidoscope. Many of the customers, both of Messrs. Cope and Tubelkahn, were customers, or, more euphuistically, clients, of Messrs. Camoxon, who kept the celebrated Clerical and Educational Registry higher up the street; but these customers and clients invariably crossed and recrossed the road, in proceeding from the one to the other of these establishments, in order to avoid a certain door which lay midway between them. A shabby swing-door, sun-blistered, and with its bottom panel scored with heel and toe kicks from impatient entrance-seeking feet; a door flanked by two flaming bills, and surrounded by a host of close-shaven, sallow-faced men, in shabby clothes and shiny hats, and red noses and swinging canes, noble Romans, roistering cavaliers, clamorous citizens, fashionable guests, virtuous peasants--all at a shilling a night; for the door was, in fact, the stage-door of the Cracksideum Theatre. The shabby men in threadbare jauntiness smiled furtively, and grinned at each other as they saw the sleek gentlemen in shining broad-cloth step out of their path; but the said gentlemen felt the proximity of the Thespian temple very acutely, and did not scruple to say so to Messrs. Camoxon, who, as in duty bound, shrugged their shoulders deprecatingly, and--changed the conversation. They were very sorry, but--and they shrugged their shoulders. When men shrug their shoulders to their customers it is time that they should retire from business. It was time that the Messrs. Camoxon so retired, for the old gentleman now seldom appeared in Rutland Street, but remained at home at Wimbledon, enacting his favourite character of the British squire, and actually dressing the part in a blue coat and gilt buttons, gray knee-breeches, and Hessian boots; while young George Camoxon hunted with the Queen's hounds, had dined twice at the Life Guards' mess at Windsor, and had serious thoughts of standing for the county.