The most chic establishment is that of Treppel, the first house to the left upon entering Great Yamskaya. This is an old firm. Its present owner bears an entirely different name, and fills the post of an elector in the city council and is even a member of the city board. The house is of two stories, green and white, built in the debauched pseudo-Russian style a la Ropetovsky, with little horses, carved facings, roosters, and wooden towels bordered with lace-also of wood; a carpet with a white runner on the stairs; in the front hall a stuffed bear, holding a wooden platter for visiting cards in his out-stretched paws; a parquet floor in the ballroom, heavy raspberry silk curtains and tulle on the windows, along the walls white and gold chairs and mirrors with gilt frames; there are two private cabinets with carpets, divans, and soft satin puffs; in the bedrooms blue and rose lanterns, blankets of raw silk stuff and clean pillows; the inmates are clad in low-cut ball gowns, bordered with fur, or in expensive masquerade costumes of hussars, pages, fisher lasses, school-girls; and the majority of them are Germans from the Baltic provinces—large, handsome women, white of body and with ample breasts. At Treppel’s three roubles are taken for a visit, and for the whole night, ten. Three of the two-rouble establishments—Sophie Vassilievna’s, The Old Kiev, and Anna Markovna’s—are somewhat worse, somewhat poorer. The remaining houses on Great Yamskaya are rouble ones; they are furnished still worse. While on Little Yamskaya, which is frequented by soldiers, petty thieves, artisans, and drab folk In general, and where fifty kopecks or less are taken for time, things are altogether filthy and poor-the floor in the parlor is crooked, warped, and full of splinters, the windows are hung with pieces of red fustian; the bedrooms, just like stalls, are separated by thin partitions, which do not reach to the ceiling, and on the beds, on top of the shaken down hay-mattresses, are scattered torn, spotted bed-sheets and flannel blankets, dark from time, crumpled any old way, full of holes; the air is sour and full of fumes, with a mixture of alcohol vapours and the smell of human emanations; the women, dressed in rags of coloured printed calico or in sailor costumes, are for the greater part hoarse or snuffling, with noses half fallen through, with faces preserving traces of yesterday’s blows and scratches and naively bepainted with the aid of a red cigarette box moistened with spit.