Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
General
Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
All the year round, every evening—with the exception of the last three
days of Holy Week and the night before Annunciation, when no bird
builds its nest and a shorn wench does not plait her braid—when it
barely grows dark out of doors, hanging red lanterns are lit before
every house, above the tented, carved street doors. It is just like a
holiday out on the street—like Easter. All the windows are brightly lit
up, the gay music of violins and pianos floats out through the panes,
cabmen drive up and drive off without cease. In all the houses the
entrance doors are opened wide, and through them one may see from the
street a steep staircase with a narrow corridor on top, and the white
flashing of the many-facetted reflector of the lamp, and the green
walls of the front hall, painted over with Swiss landscapes. Till the
very morning hundreds and thousands of men ascend and descend these
staircases. Here everybody frequents: half-shattered, slavering
ancients, seeking artificial excitements, and boys-military cadets and
high-school lads—almost children; bearded paterfamiliases; honourable
pillars of society, in golden spectacles; and newly-weds, and enamoured
bridegrooms, and honourable professors with renowned names; and
thieves, and murderers, and liberal lawyers; and strict guardians of
morals—pedagogues, and foremost writers—the authors of fervent,
impassioned articles on the equal rights of women; and catchpoles, and
spies, and escaped convicts, and officers, and students, and Social
Democrats, and hired patriots; the timid and the brazen, the sick and
the well, those knowing woman for the first time, and old libertines
frayed by all species of vice; clear-eyed, handsome fellows and
monsters maliciously distorted by nature, deaf-mutes, blind men, men
without noses, with flabby, pendulous bodies, with malodorous breath,
bald, trembling, covered with parasites—pot-bellied, hemorrhoidal apes.
They come freely and simply, as to a restaurant or a depot; they sit,
smoke, drink, convulsively pretend to be merry; they dance, executing
abominable movements of the body imitative of the act of sexual love.
At times attentively and long, at times with gross haste, they choose
any woman they like and know beforehand that they will never meet
refusal. Impatiently they pay their money in advance, and on the public
bed, not yet grown cold after the body of their predecessor, aimlessly
commit the very greatest and most beautiful of all universal
mysteries—the mystery of the conception of new life. And the women with
indifferent readiness, with uniform words, with practiced professional
movements, satisfy their desires, like machines—only to receive, right
after them, during the same night, with the very same words, smiles and
gestures, the third, the fourth, the tenth man, not infrequently
already biding his turn in the waiting room.
Public-domain text, read in full here on John Shaqi.
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