Ye Lyttle Salem Maide: A Story of WitchcraftMackie, Pauline Bradford
History
Ye Lyttle Salem Maide: A Story of Witchcraft
Mackie, Pauline Bradford
Salem (Mass.) -- History -- Colonial period, ca. 1600-1775 -- Fiction; Trials (Witchcraft) -- Fiction
“Dear child,” murmured a rosy-cheeked young wife, who had put her baby
down to assist Deliverance, “here be a sugar-plum I brought ye. We must
have remembrance, gossips,” she added, “that her mother has long been
dead, though Goodwife Higgins cares for her and that be well, Master
Wentworth being a dreamer. Ye ken, gossips, I say it with no malice, the
house might go to rack and ruin, for aught he would care, with his nose
ever in the still-room.”
“Best put the child in the chimney-corner where it be warm,” suggested
Goody Dennison; “beshrew me, gossips, the damp o’ these raw spring nights
chills the marrow in your bones more than the frosts o’ winter.”
So Deliverance was seated on a stool next to Abigail Brewster, with
Goodwife Higgins’ apron tied around her neck, a pewter bowl of steaming
hasty-pudding in her lap, a mug of milk conveniently near.
The goodwives, their attention taken from the little maid, turned their
conversation upon witchcraft, and as they talked, sturdy voices shook and
florid faces blanched at every gust of wind in the chimney.
“Abigail,” whispered Deliverance, “did ye e’er clap eyes on Goody Jones
sith she became a witch?”
“Never,” answered Abigail. “Father telled me to run lest she give me the
malignant touch. Oh dear, I have counted my stitches wrong.”
The humming of Goodwife Higgins’ spinning-wheel made a musical
accompaniment to all that was said. And the firelight dancing over the
spinner’s ruddy face and buxom figure made of her a pleasant picture as
she guided the thread, her busy foot on the treadle.
Ah, what tales were told around the fireplace of the New England kitchen
where centred all homely cheer and comfort, and the gossips’ tongues
wagged fast as the glancing knitting-needles flashed! High in the yawning
chimney, from ledge to ledge, stretched the great lugpole, made from
green wood that it might not catch fire. From it swung on hooks the
pots and kettles used in cooking. Bright andirons reflected the dancing
flames and on either side were the settles. From the heavy rafters were
festooned strings of dried fruit, small yellow and green squashes,
scarlet peppers. Sand was scattered over the floor. Darkness, banished by
the firelight, lurked in the far corners of the room.
Public-domain text, read in full here on John Shaqi.
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