Boarding schools -- England -- Fiction; University of Oxford -- Fiction
Life was undoubtedly overwhelming. And there were other no less cruel
facts to face. His collars were all wrong. All the other new boys, he
had noticed, wore Eton collars: these, apparently, should be retained
for a few terms, until the owner considered himself sufficiently
dignified for 'stick-ups.' Martin, who was fourteen and tall for his
age, had been sent to school with 'stick-ups' and no Eton collars. He
saw at once the horrid nature of his offence: it was side of the first
degree, involuntary side, but who would know that, much less conjecture
it? The new boys, as timid as himself, had of course said nothing, but
he had observed the smiles and queer looks of the people about a year
older, who had themselves only just assumed the emblem of position. It
was a very awkward and bothering occurrence, and he had already written
home for others to be sent as soon as possible. In reality Martin was
more worried about this than about all the information he had
forgotten. What made him dread the morrow with a fear he had never
known before was not so much the possibility of his wandering about
school and chapel like a lost sheep, but the certainty that he would be
dressed in open defiance of all the sartorial traditions of Elfrey
School.
Martin tried to console himself with the reflection that nothing could
now deprive him of nine hours' peace. He was glad that he was allowed
a cubicle and could enjoy a certain amount of privacy: he had
anticipated a large, bare room with rows of beds and the continual
shower, so dear to the books of his youth, of hurtling slippers and
sponges. Instead he had found a comfortable dormitory with a broad
passage separating two rows of nine wooden-sided cubicles. As far as
he could gather most of the boys adorned their cubicles with family
photographs, presumably because they were content with a hasty glance
at their parents and sisters during the shamefully few seconds in which
the acts of washing and dressing were completed: their actresses they
pinned inside their workroom desks, or, if they were study owners, hung
on their walls so that the long watches of the day were not
uncomforted. It struck Martin that here was another gap: he had not
brought with him any family photographs, and he expected that to seem
unfilial would be very bad form: nor had he a favourite actress. He
would have, he saw, to ask for his family photographs to be sent with
the Eton collars and the sardines, which he had discovered at tea to be
essential to the good life. The actress problem could be dealt with
later.
Public-domain text, read in full here on John Shaqi.
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