Boarding schools -- England -- Fiction; University of Oxford -- Fiction
The rules of the dormitory were strict. Lights were turned out at ten
and no one could leave his cubicle without permission. No talking was
allowed after 'Lights out.' But to-night things were disorganised. In
the first place, Moore was the prefect on duty, an occurrence which
usually meant that no one was on duty, for it was Moore's habit to go
back to his study to find a book and then to forget about returning.
And besides it was only natural that at the beginning of term
discipline should not be established in all its accustomed rigour.
Everyone, except the six new boys, had plenty to say, and in the
prolonged absence of Moore they passed freely about from cubicle to
cubicle. It was already a quarter past ten.
Martin, of course, lay quietly in bed gazing at the cracks in the
plaster above him and wondering how long it would be before the lights
went out and sleep became possible. His thoughts shifted painfully
from chapel to collars, from collars to the Lower Fifth. This invasion
of a new world which had seemed only a week ago to be so supreme an
adventure was nothing but a nuisance and an agony. His sole comfort
lay in the reflection that bed, even a hard, knobbly, school bed is an
excellent place: here at least there was nothing to find out.
Suddenly he realised that a conversation was in progress close to the
curtain of his cubicle. Cullen, his neighbour in the dormitory, was
talking to a friend called Neave: already he had marked them both as
giants of a year's standing, youthful bloods of surpassing glory.
"I've got a ripping photo of Sally Savoy," said Cullen.
"She's a bit of fluff for you," answered Neave.
"Yes, by gum. My brother at Sandhurst told me a grand story about her."
"What was it?"
"It's jolly hot stuff."
"All the better. Let's have it."
Then Cullen launched out. Martin, who could not help overhearing every
word, understood the beginning of the tale, but just when Neave's
exclamation betrayed the listener's thrill, he found it unintelligible.
And later on there was the recitation of a Limerick which he could not
at all understand. It was not that anything deeply wicked was related,
but Martin had been a day boy at his private school and had only
received a vague impression of the ways of nature and of man. Never
before had it struck him how confused and ignorant he was.
Then a mighty voice roared: "What the deuce are you all playing at?"
Numerous forms in more or less advanced stages of nudity started like
rabbits to their proper cubicles, while Moore bellowed in the doorway.
If it had been anyone but Moore there would have been a row: but Moore
was an angel and never did anything but shout. The lights were turned
down and the voices died away.
Public-domain text, read in full here on John Shaqi.
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