Yermah the Dorado: The story of a lost raceWait, Frona Eunice
Science
Yermah the Dorado: The story of a lost race
Wait, Frona Eunice
Fantasy fiction; Geographical myths -- Fiction
The judgment hall stood on the south side of Mountain Lake, near the
plowed out Golden Gate, and had a rock foundation which the Azes called
Gharepo. The building was erected in the exact center of a huge
pentagram, the apex of which was on the rock Gharepo, the east foot on
the north peak of Las Papas, and the west in the ocean, near the Cliff
House shore. The feet of Hirach were correlated to those of the
pentagram. He was stepping from the ocean to the mountain, signifying
the involution of the ego from the astral universe into the material
world. Hirach was a counterpart of the Amen of Revelation, who had “one
foot on the sea and one on solid land,” etc.
The circle surrounding Hirach described the orbit of Mars, which
corresponds to the body of Desire. The sixth labor crushes this
principle, but in so doing opens the path for the initiate to measure
the proportions of the cosmos; and properly adjust them one to the
other.
Mars is the planetary phase of the Red Dragon, the eating of whose heart
forms the means by which Sigierd, the Norse hero, attained Wisdom. The
heart is triple, emblematic of the three cardinal virtues, Will,
Aspiration and Harmony, and their common center—the spirit, was the
altar in the middle of the judgment hall.
From the center of the holy of holies were struck the distances of the
four inner planets; hence it not only showed the three radii of the
earth, but the three phases of Hermes, or Wisdom, and the ego in the
three worlds, which in this instance was the higher personality sitting
in judgment on the deeds done in the body.
The relative size of the earth was represented by the tip of the
devotee’s forefinger as he entered the western door and held up his hand
in adoration and salutation to Deity.
The structure was shaped like a cross, and was surmounted by tall
spires. Over the entrance was an entablature propped by two square
capitals. Above this was a frieze with the hieroglyphs of Truth, Fire
and Light surrounded by twelve symbolical groups.
Between the sixth and seventh, a figure knelt and stretched out its arms
above the two sacred eyes, symbolizing the north and south. This alluded
to the diurnal motion of the sun, which is an implicit promise of
resurrection, from the sky above us.
At the ends of the emblematic row was another figure, poising a pair of
balances.
In the western arm of the cross was a throne, surmounted by a canopy
representing the Tree of Life. The golden fleece hung in its branches,
and in the center was the lamb immeshed in a nimbus.
Seated on the throne was Hirach, a priest from the Temple of Neptune,
whose face was hidden by a green mask. On his head was a tall conical
hat made of alternating stripes of red and green, and the same
combination of color was observable in his costume.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account