The mantle was green; the tunic, red; while the arms and legs were covered with striped cloth, as he sat with arms crossed over his breast. In his right hand was a crook, while in his left was a flail. Hirach, or Conscious Life, personated the higher self of the dead man, and it was his office to weigh the thoughts, words and deeds of Orondo, against the image of Truth. On each side of him stood a priestess, representing the two phases of truth. One held a lily in her hand, to show that she stood for Truth in Action; while the other held the quill of an eagle, signifying that she was Truth in Thought, itself. The two attendants were clothed in trailing white draperies, and their hands were crossed over their breasts. The sleeves came only to the elbow, but were long and wide, like those worn by Japanese women. Only the throat was revealed at the neck, and there was a peculiar allegorical girdle around the waist. These figures were known as Ma. When we call our mothers “Ma,” we are addressing them as the Principle of Truth—a singularly fitting name; since the mother is the literal image of Truth to the child, until he is old enough to discover it by reasoning processes. Osiris, the spirit within the earth, draws every soul to him with a crook, and repulses it with a flail. The ceremony about to be enacted quaintly set forth the trials by the law of causation, or experience, undergone by the individual in the process of being drawn into and thrown out of earth life. It was an enactment of the tragedy within each human heart. On a square lectern in front of Hirach was a huge parchment scroll, tied with seven seals. By an ingenious arrangement, the lectern was also a support for a pair of balances. On the left side was a gold vase containing the heart of Orondo, which was soon to be weighed against a small image of Truth, on the right scale. Between Hirach and the altar of offerings sat four intercessors, or Associate Judges, representing the material body, the astral body, soul and spirit. They were dressed in black, gray, purple and green. The official mourners, selected from each of the guilds, and from the priesthood, made offerings to the four elements in nature corresponding to the four attributes of man. That to earth was a bunch of bearded wheat; that to water, a pond-lily; that to air, a white dove; while that to fire was a chalice of bergamot oil. After being consecrated and blessed, the offerings were brought forward by men dressed in blue, and laid upon the altar in their proper succession. The fires in the sacred urns in the burial service were used, in order that the life-principle present in fire might find the individual body it once inhabited.