A short two miles up the road to Leyburn, just above Gill Beck, there is
an ancient house known as Walburn Hall, and also the remains of the
chapel belonging to it, which dates from the Perpendicular period. The
buildings are now used as a farm, but there are still enough suggestions
of a dignified past to revivify the times when this was a centre of
feudal power. Although the architecture is not Norman, there is a
fragment in one of the walls that seems to indicate an earlier house
belonging to the Walburns, for one of them--Wymer de Walburn--held a
certain number of oxgangs of land there in 1286.
Turning back to Swaledale by a lane on the south side of Gill Beck,
Downholme village is passed a mile away on the right, and the bold
scenery of the dale once more becomes impressive. The sunshine has
entirely gone now, and, although there are still some hours of daylight
left, the ponderous masses of blue-gray cloud that have slowly spread
themselves from one horizon to the other have caused a gloom to take the
place of the morning’s dazzling sunshine. When we get lower down, and
have a glimpse of the Swale over the hedge, a most imposing scene is
suddenly visible. We would have illustrated it here, but the Dale
Country is so prolific in its noble views that a selection of twenty
pictures must of pure necessity do injustice to the many scenes it
omits.
Two great headlands, formed by the wall-like terminations of Cogden and
Harkerside Moors, rising one above the other, stand out magnificently.
Their huge sides tower up nearly a thousand feet from the river, until
they are within reach of the lowering clouds that every moment threaten
to envelop them in their indigo embrace. There is a curious rift in the
dark cumulus revealing a thin line of dull carmine that frequently
changes its shape and becomes nearly obliterated, but its presence in no
way weakens the awesomeness of the picture. The dale appears to become
huger and steeper as the clouds thicken, and what have been merely woods
and plantations in this heavy gloom become mysterious forests. The
river, too, seems to change its character, and become a pale serpent,
uncoiling itself from some mountain fastness where no living creatures,
besides great auks and carrion birds, dwell.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account