Turning southwards, we get a great view over the low shore of
Holderness, curving away into the haze hanging over the ocean, with
Bridlington down below, raising to the sky the pair of towers at the
west end of its priory--one short and plain, and the other tall and
richly ornamented with pinnacles. Going through the streets of sober red
houses of the old town, we come at length into a shallow green valley,
where the curious Gypsy Race flows intermittently along the fertile
bottom. The afternoon sunshine floods the pleasant landscape with a
genial glow, and throws long blue shadows under the trees of the park
surrounding Boynton Hall, the seat of the Stricklands. The family has
been connected with the village for several centuries, and some of their
richly-painted and gilded monuments can be seen in the church. One of
these is to Sir William Strickland, Bart., and another to Lady
Strickland, his wife, who was a sister of Sir Hugh Cholmley, the gallant
but unfortunate defender of Scarborough Castle during the Civil War. In
his memoirs Sir Hugh often refers to visits paid him by ‘my sister
Strickland.’
After passing Thorpe Hall the road goes up to the breezy spot,
commanding wide views, where the little church of Rudstone stands
conspicuously by the side of an enormous monolith. Although the church
tower is Norman, it would appear to be a recent arrival on the scene in
comparison with the stone. Antiquaries are in fairly general agreement
that huge standing stones of this type belong to some very remote
period, and also that they are ‘associated with sepulchral purposes’;
and the fact that they are usually found in churchyards would suggest
that they were regarded with a traditional veneration. The stone is 25
feet 4 inches high, and from a statement made in 1769 by a Mr. Willan,
we are led to believe that its depth underground is equal to its height
above, ‘as appeared from an experiment made by the late Sir William
Strickland.’ It is not known whether this ‘experiment’ consisted in
digging down to the lowest extremity of the stone; the language seems to
suggest otherwise, and the total length of the stone must remain
hypothetical until such operations take place. The rustics of the
locality incline towards a sensational depth, for, evidently based on
the stories of the half-forgotten squire’s digging, they say that they
have heard tell how that when an attempt was made to find how far down
the stone went, those who were digging found that it was impossible to
get to the bottom, and gave it up as a hopeless task. And thus you may
find a group of peasants in the churchyard on fine Sunday evenings
staring hard at the furrowed surface of the monolith, and thinking,
Heaven knows what, of the profound regions from which their stone
springs. The interior of the church is remarkable for its fine modern
organ, placed there by the owner of Thorpe Hall, who is also the
organist. To find the requisite space the instrument had to be placed
Public-domain text, read in full here on John Shaqi.
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