The charm and glamour of Beverley is perhaps most accentuated towards
sunset on a clear evening, when you can stand by the north transept of
the Minster and see the western towers thrown out against a soft yellow
sky. From the picture given here something of the scene may be imagined,
but to the beauty of the architecture and the glowing tones of the sky
should be added the sound of the pealing bells, each carillon being
concluded with a reverberating _tangg-g boomm-m_, whose deep notes seem
to send a message to the very gates of Eternity, lying somewhere beyond
the golden light in the west.
Beverley has no natural features to give it any attractiveness, for it
stands on the borders of the level plain of Holderness, and towards the
Wolds there is only a very gentle rise. It depends, therefore, solely
upon its architecture. The first view of the city from the west as we
come over the broad grassy common of Westwood is delightful. We are just
sufficiently elevated to see the opalescent form of the Minster, with
its graceful towers rising above the more distant roofs, and close at
hand the pinnacled tower of St. Mary’s showing behind a mass of dark
trees. The entry to the city from this direction is in every way
prepossessing, for the sunny common is succeeded by a broad, tree-lined
road, with old-fashioned houses standing sedately behind the foliage,
and the end of the avenue is closed by the North Bar--the last of
Beverley’s
[Illustration: BEVERLEY MARKET PLACE
The ‘Saturday’ market, as it is called, is one of the most
picturesque parts of Beverley. The tower is that of St. Mary’s
Church.
]
gates. It dates from 1410, and is built of very dark red brick, with one
arch only, the footways being taken through the modern houses,
shouldering it on each side. Leland’s account and the town records long
before his day tell us that there were three gates, but nothing remains
of ‘Keldgate barr’ and the ‘barr de Newbygyng.’
We go through the archway and find ourselves in a wide street with the
beautiful west end of St. Mary’s Church on the left, quaint Georgian
houses, and a dignified hotel of the same period on the opposite side,
while straight ahead is the broad Saturday Market with its very
picturesque ‘cross.’ On the further side of this square we look back and
see the bright and cheerful scene depicted here. The cross was put up in
1714 by Sir Charles Hotham, Bart., and Sir Michael Warton, Members of
Parliament for the Corporation at that time.
Public-domain text, read in full here on John Shaqi.
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