You no longer count (Tu n'es plus rien!)Boylesve, René
General
You no longer count (Tu n'es plus rien!)
Boylesve, René
World War, 1914-1918 -- Fiction
The idea of military glory entered her mind and suggested to her the
hope of erecting a monument to her husband. She was caressing the
thought when her maid entered her room like a gust of wind.
"Madame, the wounded! the wounded! Swarms of them! In automobiles, on
trucks; it appears that there are twice as many for Sousville, and the
train has carried as many more to Houlgate and Cabourg!"
Amelia threw open the windows. The train of wounded men was passing the
house. Odette dared not forbid herself to look at it.
Autos were rumbling by, some of them covered, others displaying to the
light of day a heap of men, motionless, bandaged, covered with clay, an
agglutinated mass of flesh in which all individuality if not all life
seemed to be held in suspense, a cart-load of humanity: not a single man
but a mass of bloody pulp in which the suffering that it covered must be
a common suffering. Then came a truck, two trucks, three. They were
great drays across which were placed stretchers, and on these stretchers
were extended what they call the bedded wounded, those whose legs are
broken, or already amputated, or dreadfully crushed, those
fever-stricken from projectiles received in the body, those with cloven
skulls, hastily bound together. They were marine gunners, foot-soldiers,
blacks; tall, handsome, Moroccans with brown skins. Distinguished from
all the others by excess of ill fortune, they were stretched out,
straight and rigid like corpses placed in order, at equal distances,
upon the marble slabs of a morgue. The trucks going at a walk and
carrying the most seriously wounded, at each check, each halt, each
starting again, one could hear hollow moans; sometimes the outcry of a
Moroccan, sharp like the voice of a child or a woman, would make you
catch your breath, and the country folk, crowded along the sidewalks,
would whimper as if they themselves were being tortured.
Amelia, who in the beginning had been chattering without ceasing, was
now suffocated with sobs, and her elbows upon the window-ledge was
weeping silently over this procession. Odette, hidden at another window,
wept like her servant, incapable either of tearing herself away from the
sight or of controlling her emotion.
At length, having closed the windows, the two women found themselves
face to face with wet eyes. Amelia said:
"It is better to be dead than alive."
Never had they experienced such emotions in Paris, where they thought
themselves nearer the war because of the number of kilometres between
them and the front, or because they heard men deemed well informed
telling contradictory news from morning to night. Here in this remote
and quiet corner they had now touched the very relics of the hecatomb.
The eyes alone tell the truth; words are a small matter.
Amelia could not remain still; she ran to the hospital after the
procession. Never in her life had she seen anything so exciting.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account