Dramatists -- Juvenile fiction; Radio acting -- Juvenile fiction; Radio broadcasting -- Juvenile fiction
Laughter, Joe thought bitterly, was tragedy, a fake. The closer they
came to the hour the call would go out to audition, the more gaily
they’d laugh, the more spectacularly they’d wear a front of cheerful
vivacity. Tony had to be out for an hour in the afternoon, and he met
them alone. His smile, answering theirs, became fixed, wooden. When Tony
came back he disappeared into the little room where a girl checked spot
announcements.
“They seem to be awfully happy,” the girl said enviously.
“They seem to be,” Joe agreed.
He knew better. And suddenly he knew why Mander, borrowing fifty cents,
had given him a wrench, and why making the rounds after he was out of
_Sue Davis_ had depressed him. All the glamour was worn thin, and now
the tarnish showed. He couldn’t take it. Not this way. Not through the
peep-hole on show business that was called a producer’s office. He knew
why that was, too.
Making the rounds, he had had only fleeting glimpses. He had been a part
of the tide, meeting it as it passed and meeting it in fragments. But
here the whole tide came at him at once and overwhelmed him. The
laughter and the gay talk became vapor. All he could see was the
feverishness of hope, the sharp thorns of anxiety and uncertainty. And
they were such fine people, so buoyant and so brave on so little.
Small-time radio! Dreaming a dream that could never come true. Or, if it
did come true, it would be for only a few.
“Joe,” Tony boomed. He had to go out. “The blue slip,” said Tony, and
handed him script. The blue slip was the Everts-Hall rejection slip.
Mander sauntered in, his hat on the back of his head and his shoulders
swaying. “Tony, wait until you get this. I’m in a restaurant for a spot
of lunch and there’s an I Am boy at the next table. I’ll give him to
you.” Without make-up or props, Mander gave an impersonation of a
pop-off. He made it a cameo, a sharply-etched portrait of a living
character. He was good.
Tony looked at him thoughtfully.
Joe thought: “He must have rehearsed that for hours.” The
bread-and-butter hunt!
Next day was _Bush-League Larry_ day. With Tony producing the show at
FFOM, Joe again had to meet the gay crowd alone. He tried to rise to it,
to meet them smile for smile. He knew some stories, too. But Tony wasn’t
there, and the fever of anxiety made them restless. They didn’t stay
long. “Tell Tony I was in, Joe, will you?” Joe had a stock reply. “Too
bad you can’t wait.” He knew they wouldn’t wait and spend unprofitable
time with him. He wasn’t Tony; he wasn’t casting this show. He saw the
last of the crowd leave and felt tired, weary.
“All gone?” Tony boomed on his arrival. “I thought they’d still be
waiting. What a day! Thank God we don’t have a new show come up every
month.” He took a cigar from his pocket and studied the boy. “You don’t
like it, Joe, do you?”
“No,” said Joe.
Public-domain text, read in full here on John Shaqi.
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