Young Earnest: The Romance of a Bad Start in LifeCannan, Gilbert
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Young Earnest: The Romance of a Bad Start in Life
Cannan, Gilbert
English fiction -- 20th century
The excitement did not last. Very soon he hardly noticed his fares; a
stick or an umbrella raised in the street, a whistle blown by a
servant, and off he sped, shipped his freight, and discharged it
uninterested. From his district in the morning the gentlemen went to
their business; later in the day their ladies went to the shops; in
the evening both went about their pleasures. Occasionally he was taken
out to the suburbs, far west or north, but for the most part it was
routine work, varied in the evenings, sometimes, with the conveyance
of brilliantly-attired young men and women from a restaurant to a
theater in the West End, or of dubious couples to dubious habitations.
And he was happy. The monotony was a relief. It never ceased to be a
source of pride to him to keep the paint and brass of his car gleaming
and his engine sweet and in tune. Always it was a delight to him at
night, when the traffic was abated, to let the throttle open and send
the car spinning and humming over the shining streets. If he lost
interest in his fares, he never weakened in his joy in the streets
with their color and activity, as changing as the sky or as the water
in the river, their music swelling through the day, to almost every
hour its individual harmony, a music growing and falling with the
seasons: vigor and hope in October; in the winter a humorous
desperation out of which grew miraculously the spring, and that again
was lost in the maddening rout of June and then the slackness and the
excited pleasure-hunting of the summer months when the genius of the
city flees before the horde of aliens and visitors who come to gape
and peer and see the sights. He was happy, and most of all he loved
his independence, to be free of organization of any kind. Company? The
car was company. He and it worked together. Here was no uncertainty,
no fumbling. The day's work was marked out and must be well done.
There was always satisfaction in it and never compromise, never the
sense of being driven on by some obscure and undirected energy other
than his own that had so often overcome him in Thrigsby. And because
his mind and body were engaged in the discipline of skilled work, his
intellect, his imagination began to grow, to reach out, to desire to
use their powers upon all that he observed and thought and felt. A
little joy grew in him slowly and brought him at first to a dreaming,
wistful mood wherein desires expanded of which he did not begin to be
conscious until spring airs stirred in London.
Public-domain text, read in full here on John Shaqi.
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