Young Earnest: The Romance of a Bad Start in LifeCannan, Gilbert
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Young Earnest: The Romance of a Bad Start in Life
Cannan, Gilbert
English fiction -- 20th century
Through the winter the habit of labor and his pride in it brought him
slowly nearer to understanding of Ann Pidduck and her absorption in
fun. He began to share her pleasure in relaxation. She taught him to
dance, and they attended shilling balls together and she communicated
to him her Cockney pleasure in the streets, the prowling in the
lighted thoroughfares, the making of chance acquaintances, the full
gusto of broad jests. He introduced her to Kilner and tried to make
her include him in their intimacy and their jaunts; but she seemed to
be scared of the artist, and when René appeared with him would make
excuses of other engagements.
Then there were evenings of talk with Kilner, René hardly listening to
him but rejoicing in the vigor of his words. He was painting in his
spare time and on Saturdays and Sundays, and through his pictures and
the painter's enthusiasm for things seen René learned to use his eyes.
That was a slow process, too. Often he saw beautiful things and
creatures that so moved him that he lost sight of them, and dwelt only
in the emotion they had roused, falsifying his vision. He would
constantly be overcome in that way when he tried to describe anything
he had seen to his friend, who would then turn upon him and call him a
bloody liar, and a sentimentalist, and a filthy spitter upon the
world's beauty, a crapulous cheat, trying to steal a winged joy and
turn it into a selfish pleasure; and much more that was beyond René
except that he would feel ashamed but also invigorated by being so
fiercely flung back into humility. Kilner took him to the National
Gallery and very carefully explained the difference between a real
picture and a fraud. There were, according to him, very few real
pictures. He talked René into a very pretty bewilderment from which
his hours with Ann were a welcome relief. There everything was what it
seemed, everybody was taken (more or less) at his or her own
valuation; there was fun to be extracted from everything and
everybody, if only you approached them good-humoredly enough. And if
you failed and did not find the expected fun--Oh, well, try elsewhere.
There are as good fish in the sea as ever came out of it.
Public-domain text, read in full here on John Shaqi.
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