It was not one of Mary Musgrave’s fancies to furnish her hall like a
drawing-room. She had collected round her a few things for use, but she
was not rich enough to make her favourite place into a toy, as so many
people do, nor had she the opportunity of “picking up” rarities to
ornament it, as she might have liked to do had she been in the way of
them. The room had been a barn fifty years before. Then it became a
family storeroom, was fitted up at one end with closets and cupboards,
and held the household linen, and sometimes the winter supply of fruit.
It was Mary who had rescued it back again to gentler use; but she had
not been able to re-decorate or renew it with such careful pretence at
antiquity as is common nowadays. All that she could do for it was to
collect her own doings there, and all the implements for her work. The
windowed recess which got the morning sun was her business-room. There
stood an old secretaire, chosen not because of its age or suitability,
but because it was the only thing she had available, a necessity which
often confers as much grace as the happiest choice. Opposite the doorway
was an old buffet, rough, yet not uncharacteristic, which had been
scrubbed clean by a generous housemaid when Miss Musgrave first took to
the hall. And much it had wanted that cleansing; but the soap and the
water and the scrubbing-brush had not agreed very well, it must be
allowed, with the carved mahogany, which ought to have been oak. Between
the open door and this big piece of furniture was a square of old Turkey
carpet, very much faded, yet still agreeable to the eye, and a
spindle-legged table of Queen Anne’s days, with drawers which held Miss
Musgrave’s knitting and a book, and sometimes homelier matters, mendings
which she chose to do herself, calculations which were not meant for the
common eye.
Public-domain text, read in full here on John Shaqi.
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