Middle age has passed the waters; it has become static and placid.
Its wistfulness for youth is unreal, and a forced sentimentality.
In the same breath that it cries for its youth it mocks at youth’s
preoccupation with the thought of death. The lugubrious harmonies of
young poets are a favorite joke. But the feeling of the precariousness
of life gives the young man an intimate sense of its preciousness;
nothing shocks him quite so much as that it should be ruthlessly and
instantly snatched away. Middle age has acclimated itself to the
earth, has settled down familiarly in it, and is easily be fooled into
thinking that it will live here forever, just as, when we are settled
comfortably in a house, we cannot conceive ourselves as ever being
dislodged. But youth takes a long time to get acclimated. It has seen
so many mysteries and dangers about it, that the presence of the
Greatest Mystery and the Greatest Danger must be the most portentous of
things to it.
It is this sense of the preciousness of his life, perhaps, that makes
a youth so impatient of discipline. Youth can never think of itself
as anything but master of things. Its visions are a curious blend of
devotion and egotism. Its enthusiasm for a noble cause is apt to be all
mixed up with a picture of itself leading the cohorts to victory. The
youth never sees himself as a soldier in the ranks, but as the leader,
bringing in some long-awaited change by a brilliant _coup d’état_,
or writing and speaking words of fire that win a million hearts at a
stroke. And he fights shy of discipline in smaller matters. He does not
submit willingly to a course of work that is not immediately appealing,
even for the sake of the glorious final achievement. Fortunate it is
for the young man, perhaps, that there are so many organs of coercion
all ready in the world for him,--economic need, tradition, and subtle
influence of family ambition,--to seize him and nail him fast to some
profession or trade or activity, before he is aware, or has time to
protest or draw back!
Public-domain text, read in full here on John Shaqi.
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