The second face of Zen culture is best seen in the way in which
Japanese life differs from our own. This is not to suggest that every
Japanese is a living exemplar of Zen, but rather that many of the
peculiarities--both good and bad--of the way of life we now think of as
Japanese are traceable to attitudes stemming from Zen. In the military
sphere, Zen influence began as a special approach to swordsmanship and
archery and ended as a disciplined contempt for death beyond what any
other religion has inspired, save possibly in a few saints. In the
military arts, as in other areas of life, Zen both led and followed
Japanese culture--molding that culture and also presenting a vehicle for
the expression of tendencies far older than Zen, among them the
historic Japanese love of nature, the acceptance of hardship as
uplifting to the spirit, the refusal to distinguish between the
religious and the secular, and the capacity for the most unpleasant
sorts of self-discipline. It might be said that the ideals of Zen
struck a respondent chord in the Japanese character, bringing harmony
where once there had been random notes.
Zen also brought something new to the Japanese which might be described
as a religion of tranquility, or the idea that tranquility is the main
objective of religion. The underside of this tranquility is its sense
of humor. Zen, with its absurdist _koan_, laughs at life much the way
the Marx brothers did. What exactly can you make of a philosophical
system whose teacher answers the question, "How do you see things so
clearly?" with the seeming one-liner, "I close my eyes"? Zen has long
used the comic view of life to deflate those who start believing in
their own systems and categories. It is easier to be tranquil about
existence when you recognize the pointlessness of solemnity.
The other side of the religion of tranquility is the need to maintain
peace of mind in the face of chaos. Sitting quietly in meditation is
the traditional mainstay of Eastern religion, but Zen manages to carry
the mental repose born of meditation back into daily life. This
equanimity is the product of inner resources brought into being by
spiritual training. You need not study Zen to have it, but it is Zen's
most tangible goal. The Japanese, whose ability to ignore external
distractions in a hectic world is possibly their best-known national
trait, have deliberately used Zen and Zen arts (such as the tea
ceremony, flower arranging, or ink painting) to counteract the stresses
of modern life.
Public-domain text, read in full here on John Shaqi.
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