This feminism, inherent in the poet’s mind, finds full expression in the remaining four plays. The _Suppliant Women_, for example, archaic though it seems to us, deals with a social problem and a question of law, which was hotly debated in the poet’s time, and finally, in spite of his advocacy, settled against the women. The question is this—‘Should a woman be compelled to marry a man she dislikes, and to hand over to him the control of her property, merely because he is the nearest male relative?’ Æschylus answers in the negative; Athenian law _decided in the affirmative_. The characters in the play are nearly all women, the fifty daughters of Danaus, accompanied by their old father, who have fled from Egypt to Greece in order to escape from the violence of their cousins, the sons of Ægyptus, who wish to marry them by force. It is a lyric drama, and the burden of the action and the music rests with the women. The agony of the crowd of girls crouching helpless at the altar is depicted in the most entrancing melody; they are not regarded as separate individuals, but as representing women in general; their plight is that of all womankind, and the problem is presented as universal. Swarthy daughters of the South, they call upon their god to help them, the god who once found delight in the arms of their ancestress, Io; and in the play their prayer is answered. The King of Argos protects and gives them shelter, the Egyptian herald who would have taken them back is scornfully dismissed. Of the three male characters Danaus is the most interesting, and his advice to his daughters is applicable to women generally in ancient times: Children, you must be prudent: let your utterance be attended before all by absence of boldness: a modest face and a tranquil eye: no wanton looks. Be not forward in your speech nor prolix: people here are very prone to take offence. And remember to be submissive—you are needy foreign fugitives—it is not seemly for the weak to be bold in speech. So in his concluding words he hints at some of the difficulties of a woman’s life: I charge you, bring me not to shame, you whose youthful bloom is so attractive to men. Ripe tender fruit is never easy to protect; men are like animals, they seek only to destroy. Your gardens fair, the lady of love herself proclaims their dewy freshness, and when a virgin comes in dainty loveliness every man as he passes by falls victim to desire, and shoots a swift glance to win her fancy.... Observe, then, this your father’s charge, and value chastity more than life itself. The _Suppliant Women_ presents one particular phase of women’s subjection considered impersonally, and scarcely deals with the great question of how far force may be rightly met by force. In the legend the daughters of Danaus escape from slavery by killing their husbands on their wedding night, but of that Æschylus in this play tells us nothing.