Feminism in Greek Literature from Homer to Aristotle
Aristotle · en
Impotent old men and designing young women are the chief figures in most
of Isæus’ speeches; and, as his editor says, to have any confidence in
the veracity or virtue of his clients argues a truly Arcadian simplicity.
There is the case of Euctemon, for example—the old man who divorces his
wife and leaves his children, to live with his slave-woman, Alce. This
unfortunate, whose youth has been degraded for her master’s profit, has
her revenge when the old man grows senile. She induces him to remove her
from the den of infamy which has been one of the sources of his wealth,
to live with her in the drinking-shop over which she is put in charge,
and finally to recognise one of her bastards as his own son. The family,
threatened by a second marriage, reluctantly consent to help in an
adoption which ran counter to the first principles of Attic law; and it
is not until the old man’s death, when his property falls into dispute,
that his ‘misfortunes’ with the woman (so the advocate euphemistically
describes them) come to light. The facts of the case are utterly sordid;
but every detail is enveloped by Isæus in a cloud of sophistical
arguments which show both a complete absence of moral sense in the
advocate and so great a faculty of deception that modern writers have
inferred—it need not be said with how little reason—that polygamy was
not illegal at Athens, that concubinage was recognised by law, and that
bastards had the rights of legitimate children. All three statements are
untrue; but they may fairly be deduced from the ever-shifting arguments
that the lawyer uses. In another of his cases it is an old man at death’s
door who marries a young girl, and the usual imputations upon the bride’s
motives form one of his strongest arguments. In a third, the estate of
Pyrrhus, a woman of notoriously bad life is foisted by her brother upon
one of her old lovers, and the claim is then made that she is his legal
wife.