An Irish precursor of Dante : $b a study on the Vision of Heaven and Hell ascribed to the eighth-century Irish saint Adamnán, with translation of the Irish text — Dante Alighieri — John Shaqi
An Irish precursor of Dante : $b a study on the Vision of Heaven and Hell ascribed to the eighth-century Irish saint Adamnán, with translation of the Irish text
Dante Alighieri · en
purgation in the intermediate state, and the postponement, in special
cases, of the final decision; occurring as they do, they acquire a
certain significance as tending to accentuate the divergence of plan in
the two parts of the work.
A similar addition, attributable to the same motives, would appear to
exist in the last three chapters of the work. As already suggested,
chapter 32 would bring the work to a satisfactory conclusion; however,
the mediæval compiler was commonly a simple-minded person; for him,
as for ‘honest Diggory,’ the ‘old grouse in the gunroom’ possessed an
infinite variety which age could not wither, nor custom stale, and,
like a child or peasant, he objected to a familiar tale being omitted
in its usual place, or being shorn of its proper incidents. The picture
of Enoch and Elijah beside the Tree of Life in Paradise, surrounded by
the bird-flocks of the righteous to whom Elijah preached the Gospel,
had become one of the most familiar and picturesque features of the
Irish Paradise; therefore a place must be found for it. The most
obvious place would be that part of Heaven where, as it is, the birds
are described as singing the hours in the Divine Presence, and there,
we can hardly doubt, the original author would have inserted it, had he
chosen to make use of the familiar image. However, it must, I think,
be admitted that he exercised a wise discretion in omitting it,
graceful and picturesque as it is; for he has constructed his scheme
of Heaven after what must seem to us the most obvious and appropriate
plan, though one which, strangely enough, found little favour with his
compeers: he has made the enthroned Deity the centre of all, so that
to have introduced a further group about a subordinate centre would
have been to break into the design. We may therefore be grateful to
the hypothetical redactor for appending the episode merely by way of
a _coda_, without obtruding it into what would have been its proper
place, but in which there was no room for it. In so doing, he may have
desired to give the work a devout and edifying termination, and to
close it, as it were, with a sacred voluntary.
We may now proceed to recapitulate some of the principal features of
the _Fis_, even at the risk of a certain amount of repetition, in order
to show at a glance the relation in which it stands to other writings
of the same class, both native and foreign.