Dante. An essay. To which is added a translation of De Monarchia.
Dante Alighieri · en
Dante's eye was free and open to external nature in a degree new among
poets; certainly in a far greater degree than among the Latins, even
including Lucretius, whom he probably had never read. We have already
spoken of his minute notice of the appearance of living creatures; but
his eye was caught by the beautiful as well as by the grotesque.
Take the following beautiful picture of the bird looking out for dawn:
Come l'augello intra l'amate fronde,
Posato al nido de' suoi dolci nati,
La notte, che le cose ci nasconde,
Che per veder gli aspetti desiati,
E per trovar lo cibo, onde li pasca,
In che i gravi labor gli sono aggrati,
Previene 'l tempo in su l'aperta frasca,
E con ardente affetto il sole aspetta,
Fiso guardando, pur che l'alba nasca.--_Parad._ 23.[119]
[Footnote 119:
E'en as the bird that resting in the nest
Of her sweet brood, the shelt'ring boughs among
While all things are enwrapt in night's dark vest--
Now eager to behold the looks she loves,
And to find food for her impatient young
(Whence labour grateful to a mother proves),
Forestalls the time, high perch'd upon the spray,
And with impassion'd zeal the sun expecting,
Anxiously waiteth the first break of day.--WRIGHT.]
Nothing indeed can be more true and original than his images of birds;
they are varied and very numerous. We have the water-birds rising in
clamorous and changing flocks:
Come augelli surti di riviera
_Quasi congratulando a lor pasture_,
Fanno di sè or tonda or lunga schiera;--_Parad._ 18.[120]
the rooks, beginning to move about at daybreak:
E come per lo natural costume,
Le pole insieme, al cominciar del giorno
Si muovono a scaldar le fredde piume,
Poi altre vanno via senza ritorno,
Altre rivolgon sè onde son mosse
Ed altre roteando fan soggiorno;--_Parad._ 21.[121]
the morning sounds of the swallow:
Nell'ora che comincia i tristi lai
La rondinella presso alla mattina,
Forse a memoria de' suoi primi guai;--_Purg._ 9.[122]
the joy and delight of the nightingale's song (_Purg._ 17); the lark,
silent at last, filled with its own sweetness:
Qual lodoletta, che 'n aere si spazia,
Prima cantando, e _poi tace contenta
Dell'ultima dolcezza che la sazia_;--_Parad._ 20.[123]
the flight of the starlings and storks (_Inf._ 5, _Purg._ 24); the
mournful cry and long line of the cranes (_Inf._ 5, _Purg._ 26); the
young birds trying to escape from the nest (_Purg._ 25); the eagle
hanging in the sky:
Con l'ale aperte, e a calare intesa;--
the dove, standing close to its mate, or wheeling round it:
Sì come quando 'l _colombo si pone
Presso al compagno_, l'uno e l'altro pande
_Girando e mormorando_ l'affezione;--_Parad._ 25.[124]
or the flock of pigeons, feeding: