who probably was a very loose adherent to his own faction. Less justified, it would seem, is the idea that the Guelfs were specially the patriotic party in Italy. No doubt the Popes at one time tried to pose as the defenders of Italian liberties against German tyrants, and some modern historians, forgetting the mediæval conception of the Empire, have been inclined to accept this view. But when it suited his purpose, the Pope was ready enough to support an “anti-Cæsar” who was no less a German, or even to call in a French invader. The truth is that at that time (and for many centuries afterwards), no conception of “Italy” as a nation had entered into men’s minds. We do not always realise that until the year 1870, the territory, well enough defined by Nature, which forms the modern kingdom of Italy, had never, except indeed as part of a far wider Empire, owned the rule of a single sovereign. Patriotism hardly extended beyond the walls of a man’s own city. Even Dante feels that residence in Lucca, Bologna, or Verona is an exile as complete as any, and that his only _patria_ is Florence, though it may be safely said that to him, if to any living man, the idea of an Italian nation had presented itself. The one argument which we can find to support this view lies in the fact that while the chief Guelf names are those of burgher families, many of the leading Ghibeline houses were undoubtedly of German origin. At Florence the Uberti, at Bologna the Lamberti, show their descent in their names. Villani tells us that the Emperor Otto I. delighted in Florence, “and when he returned to Germany certain of his barons remained there and became citizens.” The two families just mentioned are specified. So far, then, the Guelfs may be regarded as representing native civic liberties against an alien feudal nobility, and the struggle between the two factions will fall into line with that which at a somewhat later date went on in Germany between the traders of the cities and the “robber-barons” of the country. In this aspect we may see the full meaning of Dante’s continual allusion to the sin of avarice, under the image of the “wolf;” an allusion, again, which the original name whence the Guelf party took its appellation would specially point.