Dante: His Times and His Work — Dante Alighieri — John Shaqi
Dante: His Times and His Work
Dante Alighieri · en
In connection with some of the remarks in the opening chapter, Professor
Butcher’s Essay on _The Dawn of Romanticism in Greek Poetry_ should be
noticed. I do not think that the accomplished author’s view is
incompatible with mine; though I admit that I had not taken much account
of the Greek writers whom we call “post-classical.” But it is to be
noted, as bearing on the question raised in the second footnote on p. 9,
that most or all of the writers whom he cites were either Asiatics or
nearly touched by Asiatic influences.
I have made some attempt to deal in a concise way with two subjects
which have not, I think, hitherto been handled in English books on
Dante, other than translations. One of these is the development of the
Guelf and Ghibeline struggle from a rivalry between two German houses to
a partisan warfare which rent Italy for generations. I am quite aware
that I have merely touched the surface of the subject, which seems to
me to contain in it the essence of all political philosophy, with
special features such as could only exist in a country which, like
Italy, had, after giving the law to the civilised world, been unable to
consolidate itself into a nation like the other nations of Europe. I
have, I find, even omitted to notice what seem to have been the ruling
aims of at any rate the honest partisans on either side: unity, that of
the Ghibelines; independence, that of the Guelfs. Nor have I drawn
attention to a remarkable trait in Dante’s own character, which, so far
as I know, has never been discussed--I mean his apparent disregard of
the “lower classes.” Except for one or two similes drawn from the
“villano” and his habits, and one or two contemptuous allusions to
“Monna Berta e Ser Martino” and their like, it would seem as if for him
the world consisted of what now would be called “the upper ten
thousand.” In an ordinary politician or partisan, or even in a mere man
of letters this would not be strange; but when we reflect that Dante was
a man who went deeply into social and religious questions, that he was
born less than forty years after the death of St. Francis, and was at
least closely enough associated with Franciscans for legend to make him
a member of the order, and that most of the so-called heretical sects of
the time--Paterines, Cathari, Poor Men--started really more from social
than from religious discontent, it is certainly surprising that his
interest in the “dim, common populations” should have been so slight.