English Illustration 'The Sixties': 1855-70: With Numerous Illustrations by Ford Madox Brown: A. Boyd Houghton: Arthur Hughes: Charles Keene: M. J. Lawless: Lord Leighton, P.R.A.: Sir J. E. Millais, P.R.A.: G. Du Maurier: J. W. North, R.A.: G. J. Pinwell: Dante Gabriel Rossetti: W. Small: Frederick Sandys: J. Mcneill Whistler: Frederick Walker, A.R.A.: and Others
Dante Alighieri · en
A very interesting experiment survives in the illustration to Watts's
_Divine and Moral Songs_ (Nisbet, 1865). This book, edited by H.
Fitzcock, the enthusiastic promoter of graphotype, enlisted the
services of notable artists, whose tentative efforts, in the first
substitute for wood-engraving that attained any commercial recognition,
make the otherwise tedious volume a treasure-trove. The Du Maurier
on page 14, the J. D. Watson (p. 22), T. Morten (p. 43), Holman Hunt
(p. 49), M. E. Edwards (p. 62), C. Green (p. 9), and W. Cave Thomas
(p. 75), are all worth study. A not very important drawing, _The Moon
Shines Full_, by Dr. C. Heilbuth (p. 3), is a very successful effort
to rival the effect of wood-engraving by mechanical means. The titles
of the poems come with most grotesque effect beneath the drawings. An
artist in knickerbockers, by Du Maurier, entitled 'The excellency of
the Bible,' for instance, is apt to raise a ribald laugh; and some of
the Calvinistic rhymes and unpleasant theology of the good old doctor
are strangely ill-matched with these experiments in a medium which
evidently interested the draughtsman far more than the songs which laid
so heavy a burden on the little people of a century ago.
_Legends and Lyrics_, by A. A. Procter (Bell and Daldy, 1865), is
another quarto edition of a popular poet, but here, in place of the
usual hundred Birket Fosters, Gilberts, and the rest, we have but
nineteen engravings; but they are all full pages. Charles Keene's two
subjects are _The Settlers_ and _Rest_ (a night bivouac of soldiers);
John Tenniel with _A Legend of Bregenz_, and Du Maurier with _A
Legend of Provence_ and _The Requital_, also represent the _Punch_
contingent. The others are by W. T. C. Dobson, A. R. A., L. Frolich,
T. Morten, G. H. Thomas, Samuel Palmer, J. D. Watson, W. P. Burton,
J. M. Carrick, M. E. Edwards, and William H. Millais; all engraved by
Horace Harral, who cannot be congratulated upon his rendering of some
blocks. A very charming set of drawings by J. E. Millais will be found
in Henry Leslie's _Little Songs for me to sing_ (Cassell, undated).
The subjects, seven in number, are slightly executed studies of
childhood by a master-hand at the work. The first volume of Cassell's
_Shakespeare_, which contains a large number of drawings by H. C.
Selous, was issued this year.
[Illustration: G. J. PINWELL
'WAYSIDE POESIES'
THE LITTLE CALF]
[Illustration: FREDERICK WALKER
'WAYSIDE POESIES'
THE BIT O'
GARDEN]
A fine collection of reprinted illustrations is _Pictures of Society_
(Sampson Low, 1866); its blocks are taken from Mr. James Hogg's
publications, _London Society_ and _The Churchman's Family
Magazine_, and include the fine Sandys, _The Waiting Time_, and M. J.
Lawless's _Silent Chamber_, both reproduced here by his permission. It
is a scarce but very interesting, if unequal, book.