English Illustration 'The Sixties': 1855-70: With Numerous Illustrations by Ford Madox Brown: A. Boyd Houghton: Arthur Hughes: Charles Keene: M. J. Lawless: Lord Leighton, P.R.A.: Sir J. E. Millais, P.R.A.: G. Du Maurier: J. W. North, R.A.: G. J. Pinwell: Dante Gabriel Rossetti: W. Small: Frederick Sandys: J. Mcneill Whistler: Frederick Walker, A.R.A.: and Others
Dante Alighieri · en
The minor books at this time are rich in drawings by most of the
artists who are our quest in this chronicle. The number, and the
difficulty of ascertaining which of them contain worthy designs, must
be the excuse for a very incomplete list, which includes _Keats's
Poetical Works_, with a hundred and twenty designs by G. Scharf; _The
Children's Hour_ (Hunter, Edinburgh), W. Small, etc.; _Jingles and
Jokes for Little Folks_, Paul Gray, etc.; _The Magic Mirror_, W. S.
Gilbert (Strahan); _Dame Dingle's Fairy Tales_, J. Proctor (Cassell);
_Ellen Montgomery's Bookshelf_, twelve plates in colour by J. D. Watson
(Nisbet); _An Old Fairy Tale_, R. Doyle (Routledge); _What the Moon
saw_, eighty illustrations by A. W. Bayes (Routledge); _Ernie Elton
the Lazy Boy_, _Patient Henry_, _The Boy Pilgrims_, all illustrated by
A. Boyd Houghton and published by Warne; _Sybil and her Snowball_, R.
Barnes (Seeley); _Stories told to a Child_, Houghton, etc. (Strahan);
_Aunt Sally's Life_, G. Thomas, (Bell); _Mother's Last Words_, M. E.
Edwards, etc. (Jarrold), and _Watts's Divine Songs_ (Sampson Low), with
some fine Smalls and Birket Fosters.
Although the style of work that prevailed in 1865-66 was so widely
popular, it did not find universal approval. Critics deplored the
'sketchy' style of Dalziels' engraving and, comparing it unfavourably
with Longmans' _New Testament_, moaned, 'when shall we find again such
engraving as in Mulready's drawings by Thompson.' In _Don Quixote_
they owned Houghton's designs were clever, but thought, 'on the whole,
the worthy knight deserved better treatment.' And so all along the
line we find the then present contrasted with the golden past; even
as many look back to-day to the golden 'sixties' from the commonplace
'nineties.' This time saw the beginning of the superb toy-books by
Walter Crane--which are his masterpieces, and monuments to the skill
and taste of Edmund Evans, their engraver and printer. For wood-block
printing in colours, no western work has surpassed them even to this
date.
_Poems by Jean Ingelow_ (Longmans, 1867) is a very notable and scarce
volume, which was published in the autumn of 1866. It contains twenty
drawings by G. J. Pinwell, of which the seven to _The High Tide_ are
singularly fine; but that they suffered terribly at the engraver's
hands some originals, in the possession of Mr. Joseph Pennell, prove
only too plainly. J. W. North is represented by twenty-four, A. Boyd
Houghton by sixteen, J. Wolf by nine, E. J. Poynter by one, W. Small by
four, E. Dalziel by three, and T. Dalziel by twenty. The level of this
fine book is singularly high, and it must needs be placed among the
very best of one of the most fruitful years.