English Illustration 'The Sixties': 1855-70: With Numerous Illustrations by Ford Madox Brown: A. Boyd Houghton: Arthur Hughes: Charles Keene: M. J. Lawless: Lord Leighton, P.R.A.: Sir J. E. Millais, P.R.A.: G. Du Maurier: J. W. North, R.A.: G. J. Pinwell: Dante Gabriel Rossetti: W. Small: Frederick Sandys: J. Mcneill Whistler: Frederick Walker, A.R.A.: and Others — Dante Alighieri — John Shaqi
English Illustration 'The Sixties': 1855-70: With Numerous Illustrations by Ford Madox Brown: A. Boyd Houghton: Arthur Hughes: Charles Keene: M. J. Lawless: Lord Leighton, P.R.A.: Sir J. E. Millais, P.R.A.: G. Du Maurier: J. W. North, R.A.: G. J. Pinwell: Dante Gabriel Rossetti: W. Small: Frederick Sandys: J. Mcneill Whistler: Frederick Walker, A.R.A.: and Others
Dante Alighieri · en
In 1868 Pinwell and Houghton between them are responsible for quite
half the separate plates, and Small contributes no less than
thirty-four which illustrate delightfully _The Woman's Kingdom_, a
novel by the author of _John Halifax_, together with a large number
of vignetted initials, a feature not before introduced into this
magazine. Without forgetting the many admirable examples of Mr. Small's
power to sustain the interest of the reader throughout a whole set of
illustrations to a work of fiction, one doubts if he has ever surpassed
the excellence of these. The little sketches of figures and landscapes
in the initials show that he did not consider it beneath his dignity to
study the text thoroughly, so as to interpret it with dramatic insight.
Your modern _chic_ draughtsman, who reads hastily the few lines
underscored in blue pencil by his editor, must laugh at the pains taken
by the older men. Indeed, a very up-to-date illustrator will not merely
refuse to carry out the author's idea, but prefer his own conception of
the character, and say so. That neither course in itself produces great
work may be granted, but one cannot avoid the conclusion that if it be
best to illustrate a novel (which is by no means certain) that artist
is most worthy of praise who does his utmost to present the characters
invented by the author. True, that character-drawing with pen and
pencil is out of date,--subtle emotion has taken its place,--it is not
easy to make a picture of a person smiling outwardly, but inwardly
convulsed with conflicting desires; the smile you may get, but the
conflicting desires are hard to work in at the same time. Appreciation
of Mr. Small's design need not imply censure of the work of others;
but, all the same, the cheap half-tone from a wash-drawing, in the
current sixpenny magazine, looks a very feeble thing after an hour
devoted to the illustrations to _Guy Waterman's Maze_, _The Woman's
Kingdom_, _Griffith Gaunt_, and the rest of the serials he illustrated.
In this volume two others, _The Harvest Home_ (p. 489) and _A Love
Letter_ (p. 618), are also from the same facile hand.