The first of the Boyd Houghtons is a striking design to Tennyson's poem of _The Victim_ (p. 18); neither picture nor poem shows its author at his best. Others signed A. B. H. are: _The Church in the Cevennes_ (pp. 56, 57), _Discipleship_ (p. 112), _The Pope and the Cardinals_ (p. 305), _The Gold Bridge_ (p. 321), _The Two Coats_ (p. 432), _How it all happened_ (seven illustrations), _Dance my Children_ (p. 568), a typical example of the peculiar mannerism of its author, and a _Russian Farmyard_ (p. 760); also a number of small designs to _Russian Fables_, some of which were illustrated also by Zwecker. G. J. Pinwell illustrates _Notes on the Fire_ (pp. 47, 49), _Much work for Little Pay_ (p. 89), _A Paris Pawn-shop_ (p. 233), _Mrs. Dubosq's Daughter_ (four pictures), _Una and the Lion_ (p. 361), _Lovely, yet unloved_ (pp. 376, 377), _Hop Gathering_ (p. 424), _The Quakers in Norway_ (p. 504). S. L. Fildes has _The Captain's Story_, a good study of fire-light reflected on three seated figures. Other numbers worth noting are an excellent example of J. Mahoney, _Yesterday and To-day_ (p. 672), Briton Rivière's _At the Window_ (p. 630), R. Buckman's _The White Umbrella_ (p. 473), and seven by Francis Walker to _Hero Harold_, and one each to _Glenalla_ (p. 384), _The Bracelet_ (p. 753), and _Thieves' Quarter_ (p. 553). With 1869 we lose sight of many of the men who did so much to sustain the artistic reputation of this magazine. W. Small has but one drawing, _The Old Manor-House_ (p. 849). Hubert Herkomer is represented by _The Way to Machaerus_ (pp. 353, 497). J. Mahoney by five designs to _The Staffordshire Potter_, Francis Walker by nine to _The Connaught Potters_ and _A Burial at Machaerus_ and _Holyhead Breakwater_. Arthur Hughes, an infrequent contributor so far, contributes two illustrations to _Carmina Nuptialia_. F. Barnard has two to _House-hunting_; F. A. Fraser has no less than seventy-five: thirty-five to _Debenham's Vow_, and thirty-three to _Noblesse Oblige_, with seven others, none of them worth reconsideration, although they served their purpose no doubt at the time. With 1870 we reach the limit of the present chronicle, to which Francis Walker and F. A. Fraser contribute most of the pictures. The most interesting are: Arthur Hughes's _Fancy_ (p. 777) and _The Mariner's Cave_ (p. 865); J. D. Linton, _Married Lovers_ (p. 601); J. Mahoney, _The Dorsetshire Hind_ (p. 21), _Ascent of Snowdon_ (p. 201); and _Dame Martha's Well_ (p. 680), and G. J. Pinwell's three very representative drawings, _Rajah playing Chess_ (p. 211), _Margaret in the Xebec_ (p. 280), and _A Winter Song_ (p. 321). [Illustration: ARTHUR HUGHES 'GOOD WORDS' 1870, p. 777 FANCY]