English Illustration 'The Sixties': 1855-70: With Numerous Illustrations by Ford Madox Brown: A. Boyd Houghton: Arthur Hughes: Charles Keene: M. J. Lawless: Lord Leighton, P.R.A.: Sir J. E. Millais, P.R.A.: G. Du Maurier: J. W. North, R.A.: G. J. Pinwell: Dante Gabriel Rossetti: W. Small: Frederick Sandys: J. Mcneill Whistler: Frederick Walker, A.R.A.: and Others
Dante Alighieri · en
1871 is memorable for three of Arthur Hughes's designs, made for a
projected illustrated edition of Tennyson's _Loves of the Wrens_, a
scheme abandoned at the author's wish; the three drawings cut down from
their original size, _Fly Little Letter_ (p. 33), _The Mist and the
Rain_ (p. 113), and _Sun Comes, Moon Comes_ (p. 183), are especially
dear to collectors of Mr. Hughes's work, which appeared here with the
lyrics set to Sir Arthur Sullivan's music; another by the same artist,
_The Mother and the Angel_ (p. 648), is also worth noting. One Boyd
Houghton, _Baraduree Justice_ (p. 464), twenty-one drawings by W. Small
to Katharine Saunders, _The High Mills_, and one by the same artist
to _An Unfinished Song_ (p. 641) are in this volume, besides four by
Pinwell, _Aid to the Sick_ (p. 40), _The Devil's Boots_ (p. 217),
_Toddy's Legacy_ (p. 336), and _Shall we ever meet again?_ (p. 817).
Without discussing the remaining years of this still flourishing
monthly one can hardly omit mention of the volume for 1878, in which
William Black's _Macleod of Dare_ is illustrated by G. H. Boughton,
R.A., J. Pettie, R.A., P. Graham, R.A., W. Q. Orchardson, R.A., and
John Everett Millais, R.A., a group which recalls the glories of its
early issues.
LONDON SOCIETY
This popular illustrated shilling magazine, started in February 1862
under the editorship of Mr. James Hogg, has not received so far its due
share of appreciation from the few who have studied the publications
of the sixties. Yet its comparative neglect is easily accounted for.
It contains, no doubt, much good work--some, indeed, worthy to be
placed in the first rank. But it also includes a good deal that, if
tolerable when the momentary fashions it depicted were not ludicrous,
appears now merely commonplace and absurd. A great artist--Millais
especially--could introduce the crinoline and the Dundreary whiskers,
so that even to-day their ugliness does not repel you. But less
accomplished draughtsmen, who followed slavishly the inelegant mode
of the sixties, now stand revealed as merely journalists. Journalism,
useful and honourable as its work may be, rarely has lasting qualities
which bear revival. Aiming as it did to be a 'smart' and topical
magazine, with the mood of the hour reflected in its pages, it remains
a document not without interest to the social historian. Amid its
purely ephemeral contents there are quite enough excellent drawings to
ensure its preservation in any representative collection of English
illustrations.
[Illustration: M. J. LAWLESS
'LONDON SOCIETY'
VOL. IV. p. 554
HONEYDEW]
[Illustration: J. D. WATSON
'LONDON SOCIETY'
1866, p. 35
TOO LATE]
[Illustration: J. D. WATSON
'LONDON SOCIETY,' VOL. I. p. 150
ASH WEDNESDAY]