Præraphaelite diaries and letters — Dante Alighieri — John Shaqi
Præraphaelite diaries and letters
Dante Alighieri · en
7th.--Got up at quarter past seven; to work by half-past eight at the
third head of Chaucer; made it worse than before. Had Mrs. Yates for
it. Worked till eleven at it--quite horrible. Afterwards painted the
two hands rather well; then painted the hands of Gower and one foot
of Wiclif pretty well. John Marshall called in: talked a great deal
about the approaching revolution; what is to be the upshot of it?
Thomas called in. I set to work again at half-past nine till eleven,
and drew-in the figure in the spandril with the lily (ten hours’
work)....
14th.--Up at seven; to work by eight. Painted the head of Wiclif till
half-past ten from old Coulton. My uncle Madox called at twelve.
Began retouching the arch; worked at it till six. Went to the Free
Exhibition: began painting the female in the spandril at nine: worked
till half-past twelve (eleven hours’ work).
16th.--My birthday; twenty-seven to-day, alas! Got up at seven; to
work by eight. Painted the red cross and rosary of Chaucer, then the
hose of the Duke. Muddled at them; could not succeed. In despair
rubbed them out again partly, and made them another colour, yellow
and grey. Will do, _must do_, but not very well. Glazed the archway,
and began marking-in the stones. Did a little to the cloak of Wiclif,
and the hassock of the female. Began work again by eight till two in
the morning; painted a host of little odds and ends (fifteen hours).
17th.--Got up at six; to work by half-past eight. Finished the Pages
and Chaucer and Gower and Wiclif: painted the green rushes: finished
the ground, the reading-desk, and the female’s chair. In the evening
painted at the letters from nine till eleven. Then again at the
female and the mosaic work till four in the morning (seventeen hours).
18th.--Got up at six; to work by half-past seven. Repainted the whole
of the flesh, glazing the shadows with yellow lakes and madder, and
repainted the lights with their white tints. At three began at the
general effect. Worked till half-past six, then again till three at
the mosaic work and sundries (eighteen hours).
19th.--Got up at six: set off with my picture to the gallery, Hyde
Park Corner. Got there by nine. Ten o’clock before framed, and that
did not fit. Thought I had all day to work, but found we were all to
decamp at ten. Got leave to wait till the sweeping was done, and set
to work again at twelve till six. Improved the general appearance
much by glazing etc. Slept next door at a tavern, to be able to be at
work next morning at six, to finish it before the private view (six
hours).
20th.--Up at quarter to six; to work by half-past. Painted at the
hose of John of Gaunt, and put-in some trees--too green.... Then
fetched Thomas for the private view. Afterwards spent the evening and
slept at Bamford’s (four hours).
21st.--Went to the gallery at about eleven: repainted at the trees
till two.
4th May.--Had my pupil Rossetti here; working for about six hours on
a head, to show him (six hours).