His personal character in early manhood is described by friends as one of peculiar manliness, geniality, and unselfishness. It is said that, on one occasion, he put aside important work of his own in order to spend several days in the studio of a friend, whose gifts were quite inconsiderable compared with his, and whose prospects were all but hopeless,--helping forward certain pictures, which were backward, for forthcoming exhibition. Many similar acts of self-sacrifice are still remembered with gratitude by those who were the recipients of them. Rossetti was king of his circle, and it must be said, that in all that properly constituted kingship, he took care to rule. There was then a certain determination of purpose which occasionally had the look of arbitrariness, and sometimes, it is alleged, a disregard of opposing opinion which partook of tyranny: but where heart and not head were in question, he was assuredly the most urbane and amiable of monarchs. In matters of taste in art, or criticism in poetry, he would brook no opposition from any quarter; nor did he ever seem to be conscious of the unreasonableness of compelling his associates to swallow his opinions as being absolute and final. This disposition to govern his circle co-existed, however, with the most lavish appreciation of every good quality displayed by the members of it, and all the little uneasiness to which his absolutism may sometimes have given rise was much more than removed by constantly recurring acts of good-fellowship,--indeed it was forgotten in the presence of them.