The Banquet (Il Convito) — Dante Alighieri — John Shaqi
The Banquet (Il Convito)
Dante Alighieri · en
The one is, that it appears to be unlawful for any one to speak of
himself; the other, that it seems to be unreasonable to speak too
deeply when giving explanations. Let the knife of my judgment pare
away from the present treatise the unlawful and the unreasonable. One
does not permit any Rhetorician to speak of himself without a
necessary cause. And from this is the man removed, because he can
speak of no one without praise or blame of those of whom he speaks;
which two causes commonly induce a man to speak of himself. And in
order to remove a doubt which here arises, I say that it is worse for
any one to blame than to praise himself, although neither may have to
be done. The reason is, that anything which is essentially wrong is
worse than that which is wrong through accident. For a man openly to
bring contempt on himself is essentially wrong to his friend, because
a man owes it to take account of his fault secretly, and no one is
more friendly to himself than the man himself. In the chamber of his
thoughts, therefore, he should reprove himself and weep over his
faults, and not before the world. Again, a man is but seldom blamed
when he has not the power or the knowledge requisite to guide himself
aright: but he is always blamed when weak of will, because our good or
evil dispositions are measured by the strength of will. Wherefore he
who blames himself proves that he knows his fault, while he reveals
his want of goodness; if, therefore, he know his fault, let him no
more speak evil of himself. If a man praise himself it is to avoid
evil, as it were; inasmuch as it cannot be done except such
self-laudation become in excess dishonour; it is praise in appearance,
it is infamy in substance. For the words are spoken to prove that of
which he has not inward assurance. Hence, he who lauds himself proves
his belief that he is not esteemed to be a good man, and this befalls
him not unless he have an evil conscience, which he reveals by
self-praise, and in so revealing it he blames himself.