The Divine Comedy of Dante Alighieri: The Inferno — Dante Alighieri — John Shaqi
The Divine Comedy of Dante Alighieri: The Inferno
Dante Alighieri · en
It is a favourite exercise of Villani and other historians to trace the
troubles and revolutions in the state of Florence to chance quarrels
between noble families, arising from an angry word or a broken troth.
Here, they tell, was sown the seed of the Guelf and Ghibeline wars in
Florence; and here that of the feuds of Black and White. Such quarrels
and party names were symptoms and nothing more. The enduring source of
trouble was the presence within the city of a powerful idle class,
constantly eager to recover the privilege it had lost, and to secure
itself by every available means, including that of outside help, in the
possession of what it still retained; which chafed against the curbs put
upon its lawlessness, and whose ambitions were all opposed to the
general interest. The citizens, for their part, had nothing better to
hope for than that Italy should be left to the Italians, Florence to the
Florentines. On the occasion of the celebrated Buondelmonti feud (1215),
some of the nobles definitely went over to the side of the people,
either because they judged it likely to win in the long-run, or
impelled unconsciously by the forces that in every society divide
ambitious men into two camps, and in one form or another develop party
strife. They who made a profession of popular sympathy did it with a
view of using rather than of helping the people at large. Both of the
noble parties held the same end in sight--control of the Commonwealth;
and this would be worth the more the fewer there were to share it. The
faction irreconcilable with the Republic on any terms included many of
the oldest and proudest houses. Their hope lay in the advent of a strong
Emperor, who should depute to them his rights over the money-getting,
low-born crowd.
II.