The Divine Comedy of Dante Alighieri: The Inferno — Dante Alighieri — John Shaqi
The Divine Comedy of Dante Alighieri: The Inferno
Dante Alighieri · en
In a rapid sketch like this it would be impossible to tell half the
changes made on the constitution of Florence during the second part of
the thirteenth century. Dante in a well-known passage reproaches
Florence with the political restlessness which afflicted her like a
disease. Laws, he says, made in October were fallen into desuetude ere
mid-November.[9] And yet it may be that in this constant readiness to
change, lies the best proof of the political capacity of the
Florentines. It was to meet new necessities that they made provision of
new laws. Especial watchfulness was called for against the encroachments
of the grandees, whose constant tendency--whatever their party
name--was to weaken legal authority, and play the part of lords and
masters of the citizens. But these were no mere weavers and
quill-drivers to be plundered at will. Even before the return of the
Guelfs, banished in 1248, the citizens, taking advantage of a check
suffered in the field by the dominant Ghibelines, had begun to recast
the constitution in a popular sense, and to organise the townsmen as a
militia on a permanent footing. When, on the death of Frederick in 1250,
the Imperialist nobles were left without foreign aid, there began a
period of ten years, favourably known in Florentine history as the
Government of the _Primo Popolo_ or _Popolo Vecchio_; that is, of the
true body of the citizens, commoners possessed of franchises, as
distinguished from the nobles above them and the multitude below. For it
is never to be forgotten that Florence, like Athens, and like the other
Italian Republics, was far from being a true democracy. The time was yet
to come, and it was not far distant, when the ranks of citizenship were
to be more widely opened than now to those below, and more closely shut
to those above. In the meantime the comparatively small number of
wealthy citizens who legally composed the 'People' made good use of
their ten years of breathing-time, entering on commercial treaties and
widening the possessions of the Commonwealth, now by war, and now by
shrewd bargains with great barons. To balance the influence of the
Podesta, who had hitherto been the one great officer of State--criminal
judge, civil governor, and commander-in-chief all in one--they created
the office of Captain of the People. The office of Podesta was not
peculiar to Florence. There, as in other cities, in order to secure his
impartiality, it was provided that he should be a foreigner, and hold
office only for six months. But he was also required to be of gentle
birth; and his councils were so composed that, like his own, their
sympathies were usually with the nobles. The Captain of the People was
therefore created partly as a tribune for the protection of the popular
rights, and partly to act as permanent head of the popular forces. Like
the Podesta, he had two councils assigned to him; but these were
strictly representative of the citizens, and sat to control his conduct