The Two First Centuries of Florentine History: The Republic and Parties at the Time of Dante. Fourth Impression. — Dante Alighieri — John Shaqi
The Two First Centuries of Florentine History: The Republic and Parties at the Time of Dante. Fourth Impression.
Dante Alighieri · en
_To attempt any new delineation of the special vicissitudes of the
Florentine Republic, already so exhaustively and lucidly treated by
other historians, would have been outside my purpose. As stated in
the preface to the Italian edition, my sole aim was to investigate in
what manner the Republic was formed, the nature of its constitution,
the why and wherefore of its continual transmutations, the first
causes and genuine motives of the factions by which the city was torn,
and likewise to ascertain how it came about that--despite all this
turbulence and strife--commerce and industry, the fine arts and letters
should have been able to achieve such marvellous results. Now, so far
as I know, English literature contains nothing on this particular
theme, although one that can scarcely fail to be of some use and
interest even to readers familiar with greater works and more extended
and detailed accounts of Florentine history._
_These researches are not pursued beyond the times of Dante and Henry
VII., inasmuch as that term actually marks the close of the period
during which the Republic took shape and built up its constitution.
This was followed by a new phase of equally high importance but very
different character, during which the Republic entered, instead, on a
course of decomposition. In fact, we have only to draw a comparison
between the "Divine Comedy" and the "Decameron," to instantly perceive
how deep was the change a few years had wrought in the spirit of
Florence and of all Italy. These two works were almost contemporaneous,
yet when reading them they seem to us the product of two entirely
different ages. Whether in politics, religion, morals, or letters, the
character of these two periods is seen to be essentially diverse. The
Middle Ages, with all their rough primitive originality, have come to
an end; classic learning and the Renaissance have begun. Touching this
second period, there is no scarcity of information, documents, or
chroniclers, as in the case of the first. The historian is confronted
by totally novel problems to which numerous modern writers have given
their attention, and which have also been investigated in previous
works of my own._
_Even this second period would certainly afford matter for another work
on the gradual course of political and moral dissolution, during which
art and literature blossomed to new splendour. Such investigations,
however, would transport me beyond the limits I have set to this book.
Under what conditions and amid what difficulties these researches were
begun and carried forward has been already plainly told in my preface
to the Italian edition. It only remains for me to crave the indulgence
of English readers._
_PASQUALE VILLARI._
AUTHOR'S PREFACE.
A word of explanation is due to my readers touching the genesis of the
present work.