Three Philosophical Poets: Lucretius, Dante, and Goethe — Dante Alighieri — John Shaqi
Three Philosophical Poets: Lucretius, Dante, and Goethe
Dante Alighieri · en
Here was a much richer theme for the poet and philosopher, who was
launched upon the discovery of the ground and secret causes of this gay
or melancholy flux. The understanding that enabled him to discover these
causes did for the European what no Indian mystic, what no despiser of
understanding anywhere, suffers himself to do; namely, to dominate,
foretell, and transform this changing show with a virile, practical
intelligence. The man who discovers the secret springs of appearances
opens to contemplation a second positive world, the workshop and busy
depths of nature, where a prodigious mechanism is continually supporting
our life, and making ready for it from afar by the most exquisite
adjustments. The march of this mechanism, while it produces life and
often fosters it, yet as often makes it difficult and condemns it to
extinction. This truth, which the conception of natural substance first
makes intelligible, justifies the elegies which the poets of illusion
and disillusion have always written upon human things. It is a truth
with a melancholy side; but being a truth, it satisfies and exalts the
rational mind, that craves truth as truth, whether it be sad or
comforting, and wishes to pursue a possible, not an impossible,
happiness.
So far, Greek science had made out that the world was one, that there
was a substance, that this was a physical substance, distributed and
moving in space. It was matter. The question remained, What is the
precise nature of matter, and how does it produce the appearances we
observe? The only answer that concerns us here is that given by
Lucretius; an answer he accepted from Epicurus, his master in
everything, who in turn had accepted it from Democritus. Now Democritus
had made a notable advance over the systems that selected one obvious
substance, like water, or collected all the obvious substances, as
Anaxagoras had done, and tried to make the world out of them.
Democritus thought that the substance of everything ought not to have
any of the qualities present in some things and absent in others; it
ought to have only the qualities present in all things. It should be
_merely_ matter. Materiality, according to him, consisted of extension,
figure, and solidity; in the thinnest ether, if we looked sharp enough,
we should find nothing but particles possessing these properties. All
other qualities of things were apparent only, and imputed to them by a
convention of the mind. The mind was a born mythologist, and projected
its feelings into their causes. Light, colour, taste, warmth, beauty,
excellence, were such imputed and conventional qualities; only space and
matter were real. But empty space was no less real than matter.
Consequently, although the atoms of matter never changed their form,
real changes could take place in nature, because their position might
change in a real space.