Three Philosophical Poets: Lucretius, Dante, and Goethe — Dante Alighieri — John Shaqi
Three Philosophical Poets: Lucretius, Dante, and Goethe
Dante Alighieri · en
Materialism, like any system of natural philosophy, carries with it no
commandments and no advice. It merely describes the world, including the
aspirations and consciences of mortals, and refers all to a material
ground. The materialist, being a man, will not fail to have preferences,
and even a conscience, of his own; but his precepts and policy will
express, not the logical implications of his science, but his human
instincts, as inheritance and experience may have shaped them. Any
system of ethics might accordingly coexist with materialism; for if
materialism declares certain things (like immortality) to be impossible,
it cannot declare them to be undesirable. Nevertheless, it is not likely
that a man so constituted as to embrace materialism will be so
constituted as to pursue things which he considers unattainable. There
is therefore a psychological, though no logical, bond between
materialism and a homely morality.
The materialist is primarily an observer; and he will probably be such
in ethics also; that is, he will have no ethics, except the emotion
produced upon him by the march of the world. If he is an _esprit fort_
and really disinterested, he will love life; as we all love perfect
vitality, or what strikes us as such, in gulls and porpoises. This, I
think, is the ethical sentiment psychologically consonant with a
vigorous materialism: sympathy with the movement of things, interest in
the rising wave, delight at the foam it bursts into, before it sinks
again. Nature does not distinguish the better from the worse, but the
lover of nature does. He calls better what, being analogous to his own
life, enhances his vitality and probably possesses some vitality of its
own. This is the ethical feeling of Spinoza, the greatest of modern
naturalists in philosophy; and we shall see how Lucretius, in spite of
his fidelity to the ascetic Epicurus, is carried by his poetic ecstasy
in the same direction.